On this #TerrorTrailerTuesday, we’re paying tribute to a groovy cat who’s real outtasight…
Yes, it’s the Invisible Man, the villain beyond vision! The fiend who can’t be seen! The scourge of locker rooms everywhere! H.G. Wells’ Fantastic Sensation!
While we take it for granted these days, the idea of the invisible man is truly frightening (and ho-rnifying… ;)) one. To quote Claude Rains as the invisible one, “An invisible man can rule the world. Nobody will see him come, nobody will see him go. He can hear every secret. He can rob, and rape, and kill!” I mean, there’s a reason that ho-rror filmmakers have been telling Invisible Man stories for decades now. The threat has all the malevolence and cunning of a sinister genius, but with no way of detecting him.
Of corpse, others have seen the funny side of this kinky kreep. After all, the Invisible Man can’t be invisible without going… au naturel. I daresay there are just as many Invisible Man comedies as there are terror tales. Even James Whale’s The Invisible Man is loaded with large helpings of black comedy. Guess you can’t spell “slaughter” without “laughter”… 😉
Whether you like him scary, silly, or just plain seXXXy, it’s as clear as the monster himself that the Invisible Man is a true icon. So without further a-BOO, here are the terrifying trailers to top off your #TerrorTuesday. 🙂 xoxo
Ho-rrificly Ho-rnifying Bonus: The seXXXy scene that launched a zillion Invisible Man fantasies (at least for me ;)).
A young woman named Elizabeth (Marie-Georges Pascal) travels by train to live with her fiancé, the owner of a vineyard. She discovers that the pesticide being sprayed on vineyards is turning people into killer zombies.
It’s the most gruesome day in the week… #TerrorTuesday! Please do not panic… but SCREAM! Scream for your lives!!! We’re going to the animals this week with Terror is a Man, a 1958 fright film from the Philippines. It concerns a mad scientist (of corpse ;)) whose ghastly, island-based eXXXperiments transform a panther into a fantastical Panther Man. Guess he’s a Carolina fan.#GOPANTHERS!! #KEEPPOUNDING!! 😉 You savvy ho-rror ho-unds may notice a certain resemblance to ho-rror classic The Island of Dr. Moreau. While it’s not an official retelling of the story, it’s a kreepy kewl take on the basic concept. It’s moody, spooky, and has a PURRRfect cat-creep. The only thing that’s missing is Marlon Brando and his Mini-Me. Take a trip to Blood Island below:
It’s often said that two heads are better than one (hehe ;)), but I’d wager that the unfortunate victim in The Manster would strongly disagree.
Also known as The Split, The Manster is a peculiar tale of DEAD & shoulders. It concerns an American foreign news correspondent who has been working out of Japan for the last few years. His final ass-ignment in Japan is to interview a reclusive scientist who, like all great scientists, lives atop a volcanic mountain. Needing a guinea pig for his unholy experiments, the bad doctor drugs the hapless reporter and injects him with a serum that causes a second head to sprout from his shoulder. I suppose that’s one way to grow on someone. 😉
What’s truly impressive about The Manster is that it’s one of those rare films that manages to be both unintentionally goofy and genuinely creepy at the same time. The film was shot in Black-and-White and makes excellent use of shadows to heighten the lurid atmosphere. While The Manster himself is a wonderfully silly thing, the sequence in which the reporter rips off his shirt to reveal an eye growing out of his shoulder is honestly nightmarish. It’s a gloriously gut-wrenching effect, especially for a low-budget fright fest from the late ’50s. The Manster was the first film to play around with the theme of the two-headed man-made monster. Other examples of this heady trope include The Incredible 2-Headed Transplant (1971) and The Thing with Two Heads (1972). The Simpsons parodied this idea in their second Treehouse of Horror special and again in the 2013 edition, making two segments for two heads. Sam Raimi directly referenced The Manster in an infamous scene in Army of Darkness, even going as far as to include the “shoulder eye” gag. I guess you could say that The Manster was a-HEAD of its time. (*insert Cryptkeeper cackle here* :)) For two heads of terror, check out The Manster below:
Salutations from the Other Side, Ho-rror Ho-unds! It’s a Terror-ific Tuesday here in Karloffornia, so why not take a look at The Terror with Boris Karloff? What a tit-le! How intriguing! How vague! “The Terror” is like calling a film “Horror Movie.” And it sums up the appeal of this film pretty neatly! The plot concerns Andre Duvalier, a lost Napoleonic soldier (a very young Jack Nicholson) who is rescued by Helene (Sandra Knight), an enigmatic woman who is revealed to be a ghost possessed by a witch. Eventually, after being attacked by a large bird and being separated from Helene, he finds himself at the castle of Baron Victor Von Leppe (Boris Karloff), The Baron’s wife passed away some time ago, but Helene bears a strong resemblance to her. What dark secrets does the Baron keep, and what ghastly horrors await poor Andre? If that synopsis reads like a game of Gothic Mad Libs, that’s because the film largely was. Director Roger Corman was working on The Raven and finished the picture a few days early. Realizing he had a pretty groovy set going unused until its demolition, the pragmatic Corman decided to crank out another film in those last few days. Along with the sets, Corman recycled Karloff and Nicholson from The Raven. Karloff later said:
“Corman had the sketchiest outline of a story. I read it and begged him not to do it. He said ‘That’s alright Boris, I know what I’m going to do. I want you for two days on this.’ I was in every shot, of course. Sometimes I was just walking through and then I would change my jacket and walk back. He nearly killed me on the last day. He had me in a tank of cold water for about two hours. After he got me in the can he suspended operations and went off and directed two or three operations to get the money, I suppose… [The sets] were so magnificent… As they were being pulled down around our ears, Roger was dashing around with me and a camera, two steps ahead of the wreckers. It was very funny.”
All the scenes that required the castle and Karloff were filmed in three days. After that, the film was passed on to Francis Ford Coppola (yes… THAT Francis Ford Coppola ) for a couple of days, then it was handed over to Jack Hill, Monte Hellman, and perhaps others who will forever go nameless. Rumor has it that Jack Nicholson even took over for a day. Each new director was tasked with making some sense of the original footage and adding new plot points and twists to this Frankenstein. Despite its slapped-together nature, The Terror is actually worth the watch. While its backstory is more fascinating than the film itself, The Terror is decent fright flick with a few fairly creepy moments. It’s not be a genre masterpiece, but it’s got atmosphere and thrills aplenty. For a dose of Gothic nonsense, this one will hit the spot. It ain’t The Masque of the Red Death (1964), but it’s got skeletons, ghosts, witches, and King Karloff. That’s good enough for me.
For some thrills ‘n’ chills with Jack and Boris, check out the film below:
(Submitted by Mr. Dr. Anton Phibes…Thanks for reminding us this lil’ slice o’weirdom eXXXists. I plan to re-open this investigation immediately! 🙂 xoxo)
It was another one of those hot L.A. days. I poured myself another shot of cheap whisky and said to myself, ‘You’re a tough guy. You’ve been slapped twice, choked, beaten silly with a gun, shot in the arm until you’re crazy as a couple of waltzing mice. Now let’s see you do something really tough—like watching a made-for-TV monster movie.”
I humored myself and I found it: the, uh, stuff screams are made of…
Cast a Deadly Spell is nifty little number that attempts to fuse Raymond Chandler and H.P. Lovecraft into one bizarre creature. Set in alternative 1940s when magic is in vogue and the creatures of the night mingle with average folks, It has all the trappings of a classic film noir (hard-boiled detectives, sleazy clubs, stylized dialogue, femme fatales, etc.), but paints it all with a coat of Cosmic Horror. If that last part wasn’t clear, they drive the point home with their protagonist: Phillip Lovecraft.
This film does for lovers of the grotesque what Who Framed Roger Rabbit does for toon fans. Almost every scene has a zombie, werewolf, or fiend amidst the detective action. The story is decent, but it’s really about seeing noir and nightmare come together in a beautiful way. The monsters are fiendish and Fred Ward as Lovecraft is the perfect jaded gumshoe, bringing enough down-to-Earth wit to ground this peculiar picture.
For those wanting to crack the case, click on the box below:
Ho-stess’s Semi-Related Side Note: I just started playing Blues and Bullets (I was craving a good noir mystery), and so far so rad. I’m only in the first episode, but the first murder scene I investigated is creepy as all heck!! I’ll update you as I get further along, but since it’s been out for a while, maybe you fiends already have some thoughts on this one? Would love to hear what you think if you’ve playing it, too. 🙂 xoxo
UPDATE: I should’ve researched this game a lil’ more before I started playing it. I finished Episode 2 and immediately went to dive into the neXXXt installment, only to discover that IT DOESN’T ExxxIST!!!! 🙁
Chapter One was released in 2015, and apparently Chapter 2 didn’t come out until almost a year later. Although it hasn’t been officially announced as cancelled, it doesn’t look like we’re getting any more installments. Apparently the development company basically ran out of money, so there are currently no plans to finish his tit-le. Such a shame, too, because the story was super intriguing. Would’ve loved to see ho-w it all ended up. (And that little dog murdering piece of shit Bruno needs to feel my wrath!!! ;))
Oh well…It’s still a fun lil’ cocktease. Feel free to check this half-game out if self-torture is your thing. 😉 xoxo