#SupernaturalSaturday Comic Review: Lucifer #6

(Submitted by Senor Prince Adam…Thanks for kicking ass, Kinky Kolleague! 🙂 xoxo)

“Rosemary’s just an average American co-ed bringing her boyfriend, Takehiko, home from college to meet her parents, who happen to be Satanists.” (Vertigo)


When I first started reading through this story, I thought that this was going to be a one off filler issue. Instead, what we get is a jaw dropping mythological twist and the setup for the next big arc. The issue starts off very casually enough. It’s about a boy and a girl, heading to a seemingly quaint town in New England, so the boy can meet the girl’s parents. You even see the girl warning the boy that her family is weird and to be prepared for anything. The stereotype is perpetuated by the boyfriends typical reaction of shrugging her warnings off as hyperbole. While this may sound like a typical romance story, it is anything but that. Shockingly, Rosemary and her parents. are part of a group of Satanists, living in the town of Devil’s Knob. Maybe the name of the town and the fact that this is a Lucifer comic book, should’ve made me think twice about writing this issue off as a romantic filler with some scares. As Rosemary tells her boyfriend the history of Satanism in the town, we the reader get just enough exposition that we need for the payoff for the rest of the story, we learn that a resident named Gordo, who started a church because he knew that if he ran a church, he’d never have to pay taxes, That reasoning is so humorous , yet so believable. I can imagine some lazy bastard doing this because he didn’t want to pay taxes. The fact that the church is in part a Satanic church and a club for Death Metal Band, serves the nature and tone of the comic book on the whole and the overall story. Rosemary tries to soften the idea of her parents being Satanists for her boyfriend Takehiko, by telling him that while there is a segment of Satanists who believe in a devil with horns and a pitchfork, for most, including Rosemary and her parents, Satanism is about physical gratification, putting yourself first, lusting after hot people, eating inappropriately, being a bitch or an asshole and treating it like a sacrament. Takehiko asks Rosemary if there are any true demonic or ghost stories associated with the church, she say yes. We then get the story that really kicks this comic into a high gear and it starts to have relevancy. During one of the parties, things got too crazy and the church/house burnt down with a drunk girl named Joanna Newton, who died inside. Gordo then, as folklore tells it, sold the girls soul for money to build a new church. If this were any standard romance story, the boyfriend would cut it and run. Instead, Takehiko says he’s looking forward to meeting her parents and attending their church function. He is ambushed by her parents and other members of the congregation, who are naked except for wearing robes and horns. They pull a blade on him, claiming to sacrifice him for Lucifer.

At this point, Takehiko snaps and calls them blasphemers and summons the supposedly dead Joanna Newton. Turns out Joanna survived the fire and managed to escape, after Gordo and the others left her for dead. This revelation means that, the deal Gordo made in exchange for her soul is incomplete. After learning the demon Gordo made a deal with was Asmodeus, Takehiko summons him. Here’s where the real twist comes in. Asmodeus is Lucifer’s brother and uncle to Takehiko, meaning Takehiko is the first born son of Lucifer. The book ends with Asmodeus ordering Takehiko to return to hell, allowing him to bring Rosemary, while he keeps Gordo as a slave, as a means to fulfill his deal. With Lucifer back in action, Asmodeus indicates it’s time to challenge Mazikeen for the throne and reclaim his birthright, becoming the King of Hell. I’ll be completely honest, I did not see that twist with Takehiko coming. The sad thing on my part, is that there were hints. For example, its mentioned that, his father was long gone and that eventually he would have to deal with the family business. These bits of writing were in bold, so I should’ve paid them more attention. Even worse, there were small demonic wings sprouting out of his back, as he was having sex. I’m going to use the fact that there was a sex scene and the fact that I was so engrossed in the backstory of the Satanic Church, thus I missed it. That’s my story and I’m sticking with it. There was no mention of Lucifer having children in the first story arc and I don’t know enough about Neil Gaiman’s initial run of this series, Given that reasoning, I have to give credit to writer Holly Black, for writing such a fascinating and distracting story.

Art for this issue was drawn by Stephanie Hans. This is a different artist than the first story arc but I liked her work just as much, if not more. While I said that a page or two looked painted in the last story, this whole book had a painted look to it. Specifically, an oil paint style. I don’t think it is actually painted though as it’s not mentioned anywhere in the credits info. Also, they don’t mention a colorist, so I’m going to assume, that too, was done by Stephanie Hans. The opening scenes, with the young couple driving through a wintery New England, was idyllically picturesque. I know people who live in New Hampshire and winter’s can produce quite the snowfall, so this imagery has some accuracy to it. The flashback scenes to the drunken party had this purple filter to them. I’ve seen color pallets such as this used in films and television when people get piss drunk or sky high and I like that this book borrows stylistic choices from other media. The art for the fake Satanic sacrifice ritual poked fun at the stereotypes that are out there about Satanism. I like that the art and this book as a whole, is very self aware and does this sort of thing. While Lucifer and his son look nothing like the stereotypical version of the devil, I’m glad others like Asmodeus do have the more red skinned, horned demon look we are used to. Gives the book some variety. Regarding Takehiko’s red demonic looking wings, as opposed to Lucifer’s white angelic looking wings. I’m going to assume this is due to the fact that Takehiko’s mother is an ancient Japanese demon herself, while we must remember that Lucifer is in fact an angel. Once again there is plenty of nudity in this book and it is very naturalistic and never done to be in your face, or over the top.

This issue is a great example of what a stand alone issue after a main story arc should be. A more personal intimate story that gives the reader time to catch their breath, while at the same time, getting us excited for what’s to come. I am beyond excited for the Game of Thrones-like supernatural battle for the throne of hell, that is about to go down. This book may be about the devil but the quality of writing and art continues to be heavenly good! It’s worth your time and money. After reading this, I am definitely going to do a commentary article on the television series, after Season 3 concludes, especially with Smallville alumni Tom Welling on the series.

Movie Review: Batman & Harley Quinn

(Seemed appropriate for #HarleyQuinnDay…Big thanks to Prince Adam for sharing his Bat-thoughts with us. 🙂 xoxo)

“Batman and Nightwing are forced to team with the Joker’s sometimes-girlfriend Harley Quinn to stop a global threat brought about by Poison Ivy and Jason Woodrue, the Floronic Man.” (Warner Brothers)

This movie had me the minute it was set in the style of Batman: The Animated Series, featuring the voices of Kevin Conroy as Batman and Loren Lester as Nightwing, The new addition to the Bat-Family, comes in the form of Melissa Rauch, of The Big Bang Theory fame, as Harley Quinn. To be honest, it was her casting that worried me. I though her name recognition from TBBT and the signature voice of her character, would take me out of the movie and be a hindrance to the character. However, Melissa was fantastic and except for one time when she screamed at someone in the film, did I recognize it was her and get pulled out of the film, otherwise the actress totally disappeared and all I saw and heard was Harley Quinn. Hearing Kevin Conroy and Loren Lester again, felt so right and sounded like the pitch perfect dynamic duo. It’s like they have been doing this for 25 years straight, with no time lapses in between. Giving a voice to Poison Ivy for this film was Paget Brewster. She was okay, but I don’t think she was distinctly Ivy enough. That’s not necessarily her fault though because, she only had one scene where she employs Ivy’s trademark seductive, hypnotic sexiness to get a man to do her bidding. Poison Ivy’s partner in crime n this feature is Jason Woodrue aka the Floronic Man. The inclusion of this villain fits, given Ivy’s involvement and I really like his inclusion, not because I’m a huge fan of the character but because, he’s never really used. Come to think of it, even amongst Batman’s heavy hitters, Poison Ivy was underused. Even when she featured in episodes of Batman: TAS. The Floronic Man is voiced by Kevin Michael Richardson. This actor voiced The Joker for four seasons on The Batman but never once did I hear The Joker in this performance, which speaks to his range and versatility. Though, his voice is tailor made for portraying a villain.

As for why Harley Quinn would help Batman and Nightwing, it’s because she’s trying to live her life on the straight and narrow. Especially, since she has separated from The Joker. However, due to her criminal past, no reputable organization would hire someone with a criminal past and record, as a psychiatrist. Though, she makes a point at hinting that late nigh risqué movie producers have shown interest. Instead, Harley take a job at a bar called Superbabes. The waitresses all dress up in skimpy superhero costumes and are often ogled and groped by male patrons. One night Harley is grabbed in the ass, flips the customer over a table and starts a bar fight before heading home. This whole time, Nightwing was tailing her, following her back to a rundown, abandoned apartment. Naturally, there is a scuffle and Harley Quinn not only holds her own against Nightwing but knocks him out. When he comes to, Nightwing realizes that he’s tied up. Harley, changing out of her costume is in her bra and panties. She begins being flirtatious with Nightwing, saying they both have something the other wants. Nightwing protests, in a half assed way, before admitting the idea of being with Harley does sound appealing, The lights go out, the costumes come off and the scene cuts away as the implied sex scene happens off screen. Some reactions online, have people up in arms, throwing a hissy fit over this scene. Firstly, some are calling the moment a glorified rape scene, given that he was tied up and at first refused Harley’s suggestion. If you actually rewatch the scene, you can see that it’s quite clear that Nightwing is more than agreeable to having sexual relations with Harley. Once Nightwing agrees, I view the ropes as some kinky, superhero/supervillain role-play type of scenario. Prior to that scene, when both characters were physically fighting, Harley Quinn was verbalizing that she was tired of people telling her what to be and assigning a label to her. For example, some see her as crazy, others see her only as a villain, while others still, view her as a sex object. She mentions, how she wants to be in control and determine who she is. While some see the sex scene as demeaning, only further objectifying Harley, I saw her initiating the flirtation, and being in control of that situation. I saw it as a moment of empowerment for Harley Quinn. That’s my take on the whole “controversy.”

As for why Nightwing was following Harley and not Batman? The Dark Knight was busy doing detective work, uncovering Poison Ivy and the Floronic Man’s diabolical scheme. Firstly, I love that this film focuses on Batman being a detective. To me, Batman: TAS and issues of Detective Comics, are the only two interpretations, that really key in on this aspect of his character. Speaking of our villains’ plan, it involve using samples of Alec Holland’s (Swamp Thing’s) blood, mixed with a chemical agent, that when dispersed, would turn the human population into plant like creatures, such as Floronic Man and Swamp Thing. I like that the evil plot is perfectly symbiotic with the overall goals and beliefs of our villains, unlike that time when Poison Ivy teamed up with Mr. Freeze in 1997, and their plans were in complete opposition and counterintuitive of each other. Back over at Team Batman, when the Caped Crusader rejoins Harley and Nightwing, he catches them in a compromising position. While he doesn’t say it outright, you can tell he is judgemental of what they did. Nightwing responds with; “Oh right, like you’ve never made out with a villain before.” I loved this line because, it’s a clever callback to Batman’s trysts with Catwoman and Talia al Ghul respectively. It also calls out Batman’s hypocrisy in this moment, but also speaks to the closeness and rapport between Batman and Nightwing, that Dick Grayson can speak to Bruce this way. With Harley assisting Batman and Nightwing, you knew humor would be a key feature of this film and it is. As the three drive in the Batmobile to find Ivy’s location, Harley complains that a burrito she ate earlier isn’t agreeing with her and they should pull over. Batman refuses and Harley retorts; you asked for it, before beginning to fire off some farts. Batman & Nightwing’s facial reactions are hilarious. Yes, I know getting laughs from farts is a bit cheap and childish, but in addition to her sexiness, Harley Quinn has always had a childishness about her, so it works. There’s also a scene where Batman calls the Justice League for potential backup. However, all the heavy hitters are off world, so Booster Gold starts naming a bunch of C and D list superheroes that could help out. As Booster Gold’s voice rattles off names through the intercom of the Batmobile, Harley Quinn and Nightwing shake their head no and make faces in disapproval, before ruffling papers to make it sound like their was static, before hanging up on Booster Gold. This was priceless and had me in stiches. Harley Quinn’s influence is clearly rubbing off on Nightwing. Harley takes Batman and Nightwing to a bar for supervillain henchmen, where she meets an informant, who has info on Poison Ivy’s location. To get info out of an informant, Harley has to sing karaoke. That’s not the fun part though, as Melissa Rauch unfortunately is a terrible singer. However, the henchmen featured at this bar, are ones featured in the Batman 66 TV series, specifically noticeable are Catwoman’s henchmen. They even buy Batman a glass of milk, as a nod to his drink of choice on the Adam West series.

When the unlikely trio finds Poison Ivy and Floronic Man, Harley Quinn pretends to double cross Batman and Nightwing, to gain their trust, However, when she pleads with Ivy to not go through with releasing this pathogen, Ivy realizes Harley lied to her. Even Batman tries to appeal to Poison Ivy’s humanity, pointing out that if she makes even one mistake with the formula, all of humanity will be wiped out. When she still doesn’t budge, Harley Quinn removes her mask and makeup, gives Ivy a “puppy dog” look and begins to cry, lamenting that she doesn’t want to die. Ivy can’t resist Harley crying and agrees not to release the toxin on humanity. She too now turns on the Floronic Man. While some may say Poison Ivy’s turn was too easy, I liked it! It really emphasises the close knit relationship and love that Harley and Ivy share. This is both emphasized in the comic books and animated series. There are a few things, that I didn’t like about this film. Aside from the fight scene between Harley Quinn and Nightwing, which was awesome, the action in this film is extremely limited. And when it is their, the film cuts away from it, When you see the henchman bar fight, you’ll know what I mean. Swamp Thing has a cameo in the third act, condemns Ivy & the Floronic Man for what they’ve done, but refuses to get in the fight. He doesn’t get involved because “It’s not his “fight.” What!? How is it not his fight? They tampered with his blood and what they plan to do, is going to alter The Green, the nature that Swamp Thing is sworn to protect. How is that not his fight? It made no sense. What a wasted cameo. Also, I was let down by the final battle with The Floronic Man and it stems (pun intended), from the reasons I just mentioned.

This film has key voice cast from Batman: The Animated Series, the animation style evokes later seasons of Batman: The Animated Series, which was rebranded The New Batman Adventures but one thing that is different is the tone. Sure, there is some dramatic story telling of the classic animated series, but this is more of a comedy set in that world. So prepare yourself for that but you know what, for me, it really works. I have never laughed so much while watching a DC Animated show, or movie. If you want a good laugh and 75 minutes of fun with characters you love, give this film a buy and a watch. Happy Batman/Harley Quinn Takeover Day everyone!

#TimeTravelThursday (it’s a thing ;) Comic Book Review: Back to the Future #1

(Submitted by Mr. Prince Adam…Thanks, Superfiend! 🙂 xoxo)

“Untold Tales and Alternate Timelines, part 1: BttF creator/screenwriter Bob Gale returns with all-new tales from the twisting and turning timeline that made Back to the Future a, well… TIMELESS pop-culture phenomenon! Take a trip back to 1985 and be there when Doc Brown and Marty McFly first meet, and then jump even farther back, to 1945, to witness Doc’s involvement in the super-secret Manhattan Project.”


Rather than pick up after the third film, I like that this film goes back to the past to tell two stories about our two main protagonists. The first story starts in the early 1900’s and features Doc Brown telling his young son, the story of how he and Marty McFly met. While it’s never stated, given the time period this story starts in, I’m assuming the Doc Brown featured here, is the one who experienced the events of all three films. With that premise in play, this issue delivers on the films title and takes us Back to the Future. We then see Marty McFly being bullied by “Needles”, who wants to take Marty’s interoctpr tube and use it for his guitar. When Marty struggles to get it back, it breaks. At this point. “Needles warns Marty that if he doesn’t get one for him, before he and his band need to perform, Marty’s going to get a beating. As Marty tries to track down a interocito tube, he realizes that they’ve all been sold to reclusive scientist Doc Brown. Marty locates his residence, but is turned away at the intercom. He’s even electro shocked for his troubles. Ever persistent, Marty finds a way to sneak in, only to encounter more booby traps, He finally meets Doc Brown, who applauds him for following the clues he laid to his residence and finding a way into his house, despite all the safeguards. When Marty tells Doc Brown why he’s there, Doc gives him a interceptor tube and offers him a job as his assistant, so long as all the work they do in the lab is kept a secret. Marty agrees and the iconic friendship is born. Having co creator and screenwriter Bob Gale co-write this comic is great, because he thrusts the reader right back into a familiar world. It was fun seeing the reclusive/conspiracy theorist reputation of Doc Brown again. This coupled with a Marty who is shy, meek and being threatened by a bully, made me feel like I was watching the iconic first film again. The classic lines of “Think McFly Think” and “Great Scott” appear in this book but, never feel like they’re there just for the hell of it. They’re used in appropriate instances. The second story takes us to 1943 and the California Institute of Technology, where a younger Doc Brown is furious at his boss, for not recommending him to the committee in charge of selecting the Manhattan Project. His boss said he though of him but, ultimately felt that his chaotic unorganized personality, would prevent him from getting a spot on that committee. Doc brown insists on a meeting anyways. To present a more structured, organized version of himself, he sets up the interview at a neighbor’s house. Despite his deceptive efforts, the government official and General conducting the interview, unearth his lie, thanks to a piece of his neighbor’s wayward mail. Figuring he blew the interview, Emmett heads home, only to find J. Robert Oppenheimer in his basement lab, welcoming him to the Manhattan Project. While the first part of the story is more exciting, I like that this part of the story gives us the more unhinged, unorganized, and chaotic Doc Brown we are used to for the bulk of the films, even though he is younger. His deceptive ways to get what he wants, gives him something else in common with Marty, who snuck his way into Emmett’s house in our main story. I liked the connectivity and similar traits of our to main characters. They were destined to team up.


Art for the first story is by Brent Schoonover. His depiction of Doc Brown in the late 1800’s/early 1900’s looked exactly how we left him and his family in the third film. Likewise, the 1985 initial meeting between Doc Brown and Marty McFly was very much like their first encounter in the original film, at least a nod to it. The look of Marty and Doc Brown is spot on to the appearance of actors Michael J. Fox and Christopher Lloyd, as their characters. It’s so good, you’d be forgiven for confusing this issue to be a cut scene on the Blu-Ray extras. I loved that whenever a date and time was given in this book, it was depicted in the style of the date/time dashboard of the DeLorean. Even though the iconic car is absent from the book, it’s presence is still felt. The back story is drawn by Dan Shoening of Ghostbusters fame. Even though we get a younger Doc Brown here, we get the crazy over the top mannerisms, more so in this story, than the first one. It makes for a funny page. Doc Brown looks like a young Christopher Lloyd, but with an Egon esque hair style. I don’t know if Mr. Shoening did this on purpose, or as a force of habit. Either way, it works. I loved the splash page of Doc Brown’s early lab. It is eclectic, chaotic and cramped, very much like its owner.

I loved being back in this world. I can’t believe I’m just discovering this book now. I like that instead of resting on the laurels of making this book a sequel to the film, the first arc is exploring untold prequel cannon. In addition to that, I can’t wait until this book explores altered timelines too! If you’re a fan of this film series, this is a MUST OWN book! If you’re not a fan of this film series, sorry, I can’t help you!

#SuperheroSaturday Comic Book Review: Batman/Elmer Fudd Special #1

(Submitted by Batman’s Bitch, Mr. Prince Adam… 😉 Thanks, Super Friend. You know I tease ya cuz I loves ya…and also because it’s true. 😉 xoxo)

“After a chance meeting with billionaire Bruce Wayne, Elmer Fudd’s obsession quickly escalates into stalking Batman through the dark alleys and high-class social settings of Gotham City. Welcome to Bat Season! And the bonus Looney Tunes backup story features DC characters written by Tom King and artwork by Byron Vaughns.” (DC Entertainment)

Batman/Elmer Fudd Special #1 is one of five one shot specials teaming up the DC Comics cast of characters with the Looney Tunes cast of characters.  I love DC & I love Looney Tunes, so these crossovers should be a slam dunk and this issue absolutely is.  How do the two worlds meet?  Well, in the case of this issue, writer Tom King places Elmer Fudd, a hunter on the hunt for a hitman who killed his girlfriend.  The hitman offers to make a trade, spare his life, in exchange for the name of the person who contracted him.  Elmer agree and the hitman tells him the contract was ordered by Bruce Wayne.  Elmer Fudd heads to a party at Wayne Manor and opens fire on Bruce Wayne.  Of course, Bruce escapes, switches his suit for his Batman costume and tracks down Elmer Fudd.  A fight ensues, Batman subdues Elmer Fudd, as he should be able to and convinces him that Bruce Wayne didn’t order the hit on his girlfriend. The two team up and track down the hitman to a bar filled with hitmen and seedy characters. Naturally a bar fight ensues and as they corner the hitman, he pleads and reiterates that he’s not the killer, pointing behind them.  Batman and Elmer turn around, and see Elmer’s girlfriend.  She says that she enlisted the hitman’s help to fake her own death, so she can get away from Elmer Fudd’s dangerous lifestyle as a hunter.  She walks out of the bar, while the three men enjoy a drink to end the first story.  The story is a traditional Gum Shoe detective story, especially with that swerve at the end, with the girlfriend being the mastermind behind it all. Judging by my commentary, you’d assume that Elmer Fudd was randomly dropped into Gotham City, just for crossover purposes.  However, Tom King cleverly works in some Looney Tunes references.  The bar that the hitman frequents is Porky’s, with the owner/bartender being the human version of Porky Pig.   Furthermore, the hitman accused of killing Elmer’s girlfriend is named Bugs “The Bunny” Woves.  The other hitmen and shady characters are made up of Looney Tunes archetypes.  We see versions of Foghorn Leghorn, Yosemite Sam, even Sylvester and Tweety. I liked Tom Kings decision to make Bugs and some of the other Looney Tunes characters villains.  Had they been the exact status quo as their cartoon counterparts, the reader would have a hard time rooting for Batman or Elmer Fudd.  Also the reveal of classic Batman character Silver St. Cloud being Elmer Fudd’s girlfriend, is a fun way to further have Batman/Bruce Wayne cross paths with Elmer Fudd, instead of merely setting the story in Gotham City.  The interesting twist, for the purposes of this book, is that Silver St, Cloud dated Elmer Fudd first before Bruce Wayne, but left them both because of their dangerous lifestyles, highlighting a similarity between the two men.. The ending of this story featuring Batman, Bugs and Elmer drinking carrot juice and discussing Albuquerque is a nice nod to Bugs Bunny’s vegetable of choice, as well as a call back to a classic episode.

While the first story is set in the DC Universe, the backup story is set in Looney Tunes continuity.  It actually reads like a typical Bugs Bunny Vs, Elmer Fudd story.  Mr., Fudd is chasing Bugs because it’s Rabbit, or should we say, Wabbit season. To save his own skin, Bugs switches the sign to Bat Season, lights the Bat-Signal and calls Batman. Seeing the sign, Elmer switches gears and starts chasing Batman. After being thoroughly amused, Bugs Bunny ends up in a Batman costume, throwing Elmer Fudd into a little bit of a confused sate, just like the cartoon.  Also, just like the cartoon, he eventually figures out the ruse and continues chasing Batman.  To outsmart Elmer Fudd, Batman changes the sign to Robin Season, before summoning his various sidekicks who use this moniker.  As Elmer Fudd takes up the chase against the Robin’s, Batman & Elmer Fudd walk off into the sunset.  This book felt like I time travelled about 29 years to a Saturday morning long ago, watching The Bugs Bunny & Tweety Show. In this story, the writer is focused all on the laughs. It’s really a love letter to vintage Looney Tunes episodes. Both these stories show how malleable the Batman and Looney Tunes stories are, that they can tell two stories, with completely different tones and objective and still be recognizable to their brands and be entertaining on two different levels.

Lee Weeks is the artists for the main story.  It definitely has the feel of a gritty, noir detective story to match the story being told.  The art is definitely nowhere near as clean cut or crisp as your typical Batman or Looney Tunes comic book.  It’s got a scruffy look about it. This scruffy look makes Elmer Fudd look like a total badass.  It adds so much gravitas to Elmer Fudd’s trench coach and hat look.  Yet, Mr. Weeks manages to keep Elmer Fudd’s aloof, simplistic look.  I loved the human rendition of the Looney Tunes.  They all have distinguishing characteristics that give the characters away.  For instance Bugs has those protruding teeth he is famous for.  Although, I think they made the human Bugs more visually unappealing, so that we would gravitate towards Elmer.   Yosemite Sam  has his read mustache and beard, but it’s more of a goatee.  Instead of a cowboy hat, he now wears a bandana.  Bartender Porky looks as much like a literal pig as a human drawing could look.  It’s like the pig animation morphed to a human from screen to page.  Foghorn Leghorn has gone from a giant Rooster, to a sharply dressed African American card shark. I loved that there was diversity with some of the characters.  The card shark angle was great as well given that Foghorn Leghorn, in the cartoon often tricks and swindles the hens and the watchdog into getting what he wants.  With all this Elmer Fudd talk, I should mention that there is an exceptional image of Batman leaping down into an alley.  That is an iconic image in Batman lore but done from an angle we’re not used to seeing.  It’s worth noting that Silver St. Cloud is drop dead gorgeous, so it makes sense she could stop both Elmer Fudd and Batman in their tracks at the bar.  The art for the second story is done by Byron Vaughns. There’s not much to say except that it’s great and looks EXACTLY like the animation of Looney Tunes.  It’s so good, that it’s as if they just transposed film cells from the show.  Batman looks like an over exaggerated version of the character from Batman: Brave and the Bold.  The only complaint I have with this portion of the art is that when Bugs Bunny dons a Batman costume, he looks too much like Bat-Mite for my liking.

I expected to like this book but quite frankly, I straight up loved it!  It satisfies both fandoms with a story set in both the DC Universe and Looney Tunes lore.  If you’re a fan of both, this is your fanboy heaven. I can guarantee I will be reading and reviewing the remaining four one shots in this series.  Whether you go looney or batty over this book, I guarantee you are going to love it! So BUY IT and read it.  Until next time…. That’s All Folks!

#TBT TV Review: Batman: The Animated Series – Season 1 Episode 1: On Leather Wings

(Submitted by Prince Adam, aka Batman’s Bitch Boy… 😉 Thanks, Super Friend. Love ya lots! 🙂 xoxo)

“Batman finds himself tangling with a Jekyll-and-Hyde bat creature after it attacks a night watchman and the police wage a war on the Dark Knight. “

Batman: The Animated Series is a classic show and piece of Batman history. Every classic show needs to start somewhere, and for Batman : TAS, it’s On Leather Wings. I give a lot of credit to Bruce Timm and Paul Dini for having faith in their show to kick it off with a secondary villain like Kirk Langstrom aka Man-Bat. While more obscure, it’s actually a perfect fit. Man-Bat is the literal physical representation of a bat-man, and is the perfect antithesis to our costumed caped crusader. He’s also an allegory of the Jekyll and Hyde character, and when you watch the episode, you realize, so too is Batman in a way. Both Kirk Langstrom and Bruce Wayne embody the spirit of that story. Both men struggle with duality. Both maintain a good well adjusted persona, and both hide a dark persona that unleashes more of an animalistic violent nature.  The difference being, Bruce Wayne is able to rein his in and uses that darkness as a force for good. The episode does a great job of briefly introducing the other core characters in the show, namely Detective Bullock and Commissioner Gordon. They establish that Gordon doesn’t see Batman as a menace, while Bullock definitely sees him as a dangerous vigilante. The show sets up Batman as a pre-existing figure in Gotham City, that the mayor wants the police to apprehend. The episode spends much of it’s time in showcasing Batman’s detective skill. He spends 3 quarters of the episode discovering and piecing together clues about Man-Bat. This was fantastic, because most non comics adaptations gloss over the detective aspect of the character. My only slight negative is that, the actual Batman Vs. Man Bat confrontation seemed a little too rushed for my liking. That and the fact that Batman was able to get the Man-Bat formula out of Doctor Langstrom off screen and rather quickly.  But hey, given the episode is only 22 minutes, and did just about everything right, I can let it slide.

The animation is fantastic. I love the dark blue/black and grey colour scheme with yellow oval symbol for Batman’s costume. I always viewed it as the animators making a nod to the Adam West costume in a way, but with darker shades. The Bat-Computer was a definite nod to Batman 66, sounds and all.  The Batmobile took it’s nods from Tim Burton’s iteration, but was it’s own beast, being longer and sleeker.  That opening credits montage, is possibly the most beautiful thing, I’ve ever seen lead off any  TV show. Batman cloaked in the shadows taking down bank robbers, the Batmobile roaring through the streets, and it all culminates with a bolt of lightening, illuminating Batman on the rooftop of a Gotham skyscraper! I’ve got chills just describing it! Speaking of Gotham City, I love the look of it. It’s the 1939 Worlds Fair meshed with early 1990’s modern day, and putting those two together, gives the city and the series a sense of timelessness This was definitely not the best episode of the series. This show is filled with episodes deserving of that crown. However, it set the tone for what was to come. It had me speechless when I first watched it 25 years ago, and I was just as excited when I watched it again the other day.  Happy 25th Anniversary to Batman: The Animated Series.  This series had as much influence, if not more on my Batman and superhero fandom. as Batman 66 and Tim Burton’s 1989 Batman film.  This anniversary gave me just the excuse I was looking for to start reviewing this animated masterpiece.   If you want to follow along, my reviews will go according to how episodes appear on my copies of the DVD!


In another Batman related note, Happy (belated) 66th Birthday to Michael Keaton, the man who took my love of Batman to new heights and I’ve loved the character ever since! Now that he’s 66 and now that Warner Brothers is creating an Elseworld’s division of DC Films, let’s bring things full circle and have Michael Keaton play the older Bruce Wayne in a Batman Beyond film shall we WB!

Kinky Komic Book Review: Riverdale #2

(Submitted by Mr. Prince Adam…Thank you, Super Friend! 🙂 xoxo)

“Set in the same universe as the hit CW series, Riverdale continues to reveal untold stories of the world’s most famous teenagers. When five students from different social cliques (Archie, Betty, Veronica, Jugghead, and Josie) end up in Saturday detention together — will they kill each other or come together against the forces of evil that brought them there?” (Archie Comics)

If you love the film The Breakfast Club, then you will love this book.  This is the comic book’s homage to that classic 80’s coming of age film.  Heck, the title of the film is the title of this  issue and there are at least three characters in the book who reference the film. Archie even mentions having never seen the film.  That’s the hardest part of this book to believe, that someone hasn’t seen The Breakfast Club.  The fact that the film is spoken by name, as well as social media such as twitter, sets Riverdale as existing in the real world.  I’m glad this is the case because these characters are your average teenagers, meaning there’s no need to create a alternate world for them to inhabit.  Narratively, the issue is bookended by present day and time scenes, but the bulk of the issue is a flashback to the food fight, that landed them in detention.  After Josie, of “Josie and the Pussycats” fame singles out relative new girl Veronica Lodge for starting the food fight, we get a look back at what everyone was doing during the food fight.

Archie tuned up his guitar and stood up on a table, ready to give an impromptu concert.  However, his crippling fear of performing in front of people prevents him from going through with it.  This is technically, the first mention of Archie’s desire to be a musician and sets up his rivalry with Josie. It also sets up the dichotomy of wanting to be a performer, yet being shy about performing in front of others. We see him battle and to a degree, overcome this fear in the back half of season 1 but here, it’s really fresh.  Also, a fear of public speaking/performing is a fear I’ve had back in high school, so I absolutely feel for him.  Veronica Lodge was helping her friend Kevin set up a Gay/Straight school alliance, to try and decipher all the gay students in the school, and get their numbers so Kevin could get a date.  Sure, setting up a school group just to get a date seems a little overboard.  Though I purposely wrote an essay filled with errors, as well as the backup one with suspected corrections I’d need to make, because I had  really hot teacher that I wanted to spend more time with before class. Of course, nothing happened, but she was hot, so the extra time was so worth it!  Anyway, the true take away from this scene, which continues on from issue #1, is that while Veronica has an attitude and a chip on her shoulder, she is intensely giving and fiercely protective of her friends.  She admits that she got involved in the food fight, when a football jock insulted her and Kevin but she didn’t start the fight.  As for Betty and Jugghead, Betty was doing research for an article she is writing for the school paper.  One of the books she is reading is The Story of O, an erotic novel.  When Jugghead discovers this, he playfully chastises Betty.  However, when Cheryl grabs the book and starts referring to Betty and her sister as freaks and outcasts.  The reference to Betty’s sister, is the first mention of Betty’s sister and Cheryl’s brother having dated and that it ending badly.  As Cheryl berates her, we can see darkness and anger building up and erupting in Betty, as she throws a piece of pie at the back of Cheryl.  Betty’s anger and darkness gets heightened in Season 1  but you see it in it’s infancy here.  Without spoiling anything, I hope Betty’s emotional state is explored more in this comic and in Season 2.  I like that the instigator of the food fight was Betty, the goody two shoes you’d lest expect.  The book ends with detention ending and the gang sans Josie, sharing a meal at Pop’s Dinner.

Joe Eisma is back on art but this time is joined by fellow artist Thomas Pitilli.  Their artwork looks so similar, that when one ends and the other begins, it is hardly noticeable.  Each artist has certain characters who they excel at drawing though.  Joe Eisma’s strength is Archie, Josie, and Jugghead, while Thomas Pitilli draws a great Veronica, Cheryl and Betty. The opening image of the gang sitting in detention continues the theme of homage for The Breakfast Club. The position of the characters, and the location being the school library, is an exact replica of the film.  If the cover didn’t say Riverdale, you might think this was a comic book adaptation of the film. The image of Archie about to perform his impromptu cafeteria concert is great.  The detail is so strong, that you can not only see, but almost feel his crippling anxiety.  The scene where Betty snaps at Cheryl before she starts the food fight is very evocative on several levels.  First, you can see Betty’s face scrunching and teeth gritting in anger.  Adding to it, is the temporary black and purple color scheme in this panel almost makes it seem like we’ve gone into Betty’s mind and are seeing her anger actual emerge from the recesses of her mind. Kudos to  colorist Andre Szymanowicz.  Without him, this effect doesn’t happen.  My favourite page is definitely the food fight.  It’s so messy and chaotic.  There are later panels that isolate the food fight, from our main characters perspective but the main splash page is so chaotic. Also, somehow artist Thomas Pitilli has made Cheryl Blossom even more bitchy looking.  In his hands, her natural resting look is “Bitchy Face.”

The second issue doesn’t move the story along, instead being more of a character study of sorts. Last issue, I said it worked as both a prequel and a continuation of the TV series.  This issue is clearly more of a prequel to the story told in season 1.  It’ll be interesting to see if the series tries to juggle telling prequel stories, or if it toggles between prequels and concurrent stories.  If you’re a fan or the show or the characters from the comic books, you’ll like this book.  Even if you don’t love Archie or Riverdale, you’ll still want to read this if you love The Breakfast Club. And who doesn’t!?

#SupernaturalSaturday: Castlevania Season 1 Review

(Submitted by Birhday Boy Prince Adam…Hope your born week has been beyond a blast, Super Friend! 🙂 xoxo)

“A vampire hunter fights to save a besieged city from an army of otherworldly creatures controlled by Dracula.” (Netflix)

This animated series is based off of a third part in a video game series I have never played. I have no preconceived notions or expectations of what it’s SUPPOSED to be like. All I can say, is that the series that Netflix produced is something I really enjoyed and I’d like to see further explored. Thankfully, Castlevania has already been renewed for a second season. So my recommendation is to definitely get in on this before that eventual second season. The good news is, the first season consists of only 4 episodes, so it’s not a huge overwhelming time commitment. Surprisingly, in that 4 episode time we see Dracula fall in love, and get married. His wife is then burned at the stake by the Bishop and the people of Wallachia, for the accusation of being a witch. Dracula, when he discovers what happened to his wife, gives the people and the church a year to make peace with what they’ve done, before he wipes them off the face of the Earth. The story jumps forward a year, and we see the beginning of Dracula’s genocide on the humans. We also see the arrival of Trevor Belmont, which brings plenty of exposition about the fact that he is the last surviving member of the Belmont family, a disgraced clan of monster hunters, who have been excommunicated by the church, due to claims of being connected to dark magic. Speaking of magic, Trevor Belmont rescues a member of the Seekers, an ancient sect that uses magic to assist and help the people of Wallachia. Guess what, even they have been excommunicated from the church because of their magic. After fighting off some of the demons Dracula has unleashed on Earth, Trevor Belmont then rescues the granddaughter of the Elder of the Speakers, who is trapped in the catacombs of a cathedral. After rescuing the granddaughter, she and Belmont track down Dracula’s castle only to find a sleeping vampire Adrian Tepes. He awakens, a misunderstanding occurs and a fight ensues between the three. When Adrian revels that they fulfill a prophecy that says a vampire, hunter and a scientist will kill Dracula, they band together and hunt for Dracula.


What I loved about this series is that it respects several incarnations of the Dracula character. We have nods to the historical Vlad the Impaler, in the character’s name and the fact that he impaled his victims and skewered their head on a lance. He was also suave debonair, tall, dark and handsome. I loved that this show also highlighted that Dracula was at the forefront of science and technology, in the time period. Thus, in this story, Dr. Lisa Tepes comes to Dracula’s castle, despite knowing the myths about him, in search of his knowledge and science prowess to put into practice with her medicine. Initially, he is cold and distant, but quickly warms up to her, and witty banter kicks into high gear. Before you know it, she encourages him to start living and travelling like a human being. The series then jumps forward 20 years, they are married and Lisa is being burned at the stake as a witch for her interest in science. I wish the season had more episodes, so that we could’ve seen the development of their relationship and the change in Dracula. That way, when he snaps after her murder, it’s even more powerful and painful. I also liked the mythologies set up for both Trevor Belmont and the Belmont family. Trevor Belmont reminds me of a cross between Peter Quill aka Star Lord and Van Helsing. However, the mythology is glossed over because of the season’s short episode order. This is also true of the Speakers but we get an even more truncated version of their backstory. This seasons really needed 10-13 episodes to effectively flesh out all these storylines and backstories. Clearly though, the producers knew they were getting a second season, clearly saving plot threads for the follow up installment. While Dracula has a horrible endgame for Wallachia and its people. the true villain of this season is not Dracula, or the demons he unleashes. The villain is really The Bishop. He is going on a killing spree, taking out people who are suspected of having anything to do with magic. It is his decision to burn Lisa Tepes at the stake, which sets Dracula off on a vengeful murderous rampage. While Dracula’s ultimate endgame can’t be condoned, I can sympathize with his pain. The Bishop is doing all this, so he can be the one to defeat Dracula seen as the ultimate saviour of the Church and the people of Wallachia, ultimately ascending to the rank of Pope. The Catholic Church was full of corrupt leaders, who took part in burning witches at the stake, and using this true to life scenario because the story is set in mid-1400’s is smart. That little bit of reality set in this fantasy world, almost makes you forget this is an animated project.


Speaking of animation and the action, both were great. The art has a mix of Manga art, infused with traditional comic book art, by the likes of Michael Turner and John Romita Jr. I love the Roman/Gothic architecture of the cathedrals and Dracula’s Castle. The castle in particular looked pristine and beautiful when the lights are turned on. It’s hard to believe a vampire and demons live in such an abode. In terms of look, Dracula reminded me of a more rugged version of Luke Wilson from Dracula Untold. The gargoyle type creatures and the devil wolf dogs looked like Man-Bat mixed with Golam and direwolves mixed with Hulk Dogs, from Ang Lee’s movies. I loved that every so often, the skyline would be seen as the sun was setting. The orange/red color was more foreboding then it was beautiful, putting the viewer on notice that blood was about to be spilled. Speaking of blood being spilled, this show is damn bloody and violent and that’s great. It doesn’t shy away from showing blood and there is plenty of dismemberment that takes place. When Trevor Belmont starts kicking ass, corrupt priests lose fingers, an eyeball and even their head. In this series, Dracula can appear as a disembodied head engulfed in fire. I don’t know that this is one of his typical abilities, but it looks cool. The traditional traveling and forming from a swarm of bats is present and made this long time Dracula happy. There’s a scene at the beginning before the title card, where the bats swarm the screen. It reminded me of a more visceral, violent version of the moment in Batman Begins, where the bats swarm the screen, forming the Batman logo at the beginning of the film.


This first season of Castlevania is short, sweet, extremely dark and beautifully violent. Having said that, the four episodes feel like a combined episode of a typical live action pilot. The four episodes are all setup, for what’s to come next season. Thankfully, there’s enough mythology and demon fighting to make this an exciting thrill ride of an appetizer. Castlevania along with American Vampire, are the two best additions to vampire mythology in quite some time. The ending promises an even more satisfying and succulent experience, so definitely take a bite out of Castlevania Season 1, you won’t regret it!

Batman & Bill (2017)

(Submitted by Mr. Prince Adam…Thanks for helping spread the good word, Bat Buddy! 😉 xoxo)

Who created Batman?  Well, if you scroll the reprints of old comic books or watch any Batman animated, or live action film prior to Batman v Superman: Dawn of Justice, it will tell you that Bob Kane is solely responsible for the creation of this enduring and much loved character.  However, in the documentary film Batman & Bill presented by Hulu,  Marc Tyler Nobleman uncovers a secret and exposes the truth.  Shortly after the success of Superman, National Comics, which eventually became DC Comics, went to Bob Kane and asked if he could create a second superhero for them.  At that Friday meeting, he assured them he would have their next superhero on their desk by Monday.  Over the course of that weekend, Bob came up with an idea and then showed his friend and collaborator on other books what he had.  That friend helped Bob tweak his ideas, implementing several suggestions, which improved and fleshed out the character. With both men happy, Bob Kane took the meeting, the publisher loved it and bought the character.  Bob and Bill had a verbal handshake agreement, where Bob promised to split some of whatever he earns.  However, during the meeting, Bob Kane never mentions that another person was involved in the creation of the character and negotiated a sole creator credit on The Bat-Man and eventually worked out getting a “piece of the pie”, as he put it.  I don’t know, nor was it stated in the film, whether Bob Kane shared any money from that sale with Bill Finger. It was stated that Bill Finger was hired as a writer/ghostwriter on Batman later on.  Some will say. “Well, at least he got paid for his work later on.” Well that’s all well and good, until you realize just how much of a hand in creating Batman Bill Finger actually had.  First, it’s worth noting that Bob Kane came up with the name The-Batman.  His version of the character was blonde, wore a red leotard and had a domino mask, akin to something Robin would eventually wear.  Marc Tyler Nobleman, consults archives and comic book writers and artists past and present, to reveal that Bill Finger was responsible for the following concepts; the origin, the costume, Bruce Wayne, Dick Grayson, Robin, The Joker, The Riddler, The Penguin, Catwoman, the Batcave, Gotham City and the Batmobile.  So, basically, Bill Finger created all the parts of Batman that are cool and make Batman…well Batman!  Even when DC Comics discovered the truth, years later, they didn’t do anything about it, for fear of opening up a legal can of worms with Bob Kane.  Bill Finger didn’t have funds to fight for his rights legally.

The truth was made public to fans at an early comic con in the 60’s, when a DC Comics editor introduced Bill Finger as the creator of Batman.  When he was questioned about it, he clarified what he was responsible for, which is all of the stuff l listed above.  What’s great about this document, is that you hear the rare audio clip from this convention.  You’re hearing Batman history, as you watch this documentary.   A contributor to a Batman fanzine publicized the quote in one of the issues.  This was Bob Kane’s first opportunity to set the record straight, finally giving Bill Finger the credit he deserves. Instead, he writes a letter absolutely, flat out denying Bill Finger’s comments, asserting that he was the sole creator of Batman and asks for it to be published in the magazine.  As years passed, while Bill Finger struggled to make ends meet and ultimately died alone, Bob Kane enjoyed the fame and part of the fortune Batman brought with it. This miscarriage of justice, is what led Marc Tyler Noble to write this book. To give notoriety and a voice for the often forgotten Bill Finger. Our writer/narrator in this film becomes a detective out for justice for Bill Finger.  He essentially becomes a real life Batman for Bill Finger.   The detective work Mr. Nobleman does would make Batman proud.  First, he goes to wear Bill Finger used to live and from there, discovers Bill Finger had a second wife who was still alive.  From her info, he was told that Bill Finger had a niece and nephew.  From there, he literally called every Finger in the phonebook until he found Bill’s nephew and niece.  Here we learned that Bill Finger had a son.  Marc Tyler Nobleman in the documentary excitedly perks up, as this relative could be one of the few that could challenge for creator rights for his father. Sadly, we learned that Bill’s son died of AIDS.  Just when it seemed like legal recognition was lost for Bill Ginger, the discovery of his granddaughter is made.  This was like an AH HA moment from the Batman ’66 TV show, when Batman and Robin would discover one of Riddler’s clues, or foil one of the Joker’s plots.  Marc Tyler Nobleman urges Athena Finger to meet with Warner Brothers to discuss getting a creator credit for her grandfather.  The film reveals that WB & DC acknowledged Bill Finger’s contributions but once again, didn’t want to open the can of worms in dealing with Bob Kane’s estate and trying to alter that credit. The documentary features an interview and quotes from the man who co-wrote Bob Kane’s biography, where Bob Kane produced a fake drawing of Batman dated in 1933 where he allegedly formed the concept of Batman.  The reason this is known to be fake, is because it looked like the core modern drawing of Batman, with the insignia in the yellow oval etc.  The first design, which was crafted by Finger, looked significantly different. In the same interview, recorded on tape and made available for the documentary, Bob Kane admits that Bill Finger was involved with 50-75% of the conception and creation of Batman. Armed with this recording, a lawyer and national attention, thanks to Marc Tyler Nobleman’s book and taking Athena Finger to conventions and spreading this story, Athena meets with Warner Brothers and DC Comics once more.  This time. she is awarded with a credit byline, for her grandfather.  Starting with episodes of GOTHAM & the release of Batman v Superman: Dawn of Justice, Batman’s credit line will read; Created By Bob Kane with Bill Finger.

This documentary fascinated me as it revealed a mystery about Batman’s creation that I and many other fans, weren’t aware of.  It made me sad, that for so long, Bill Finger wasn’t credited for his work.  Sadder still, that Bill Finger died alone, his son suffered and died from aids and Athena Finger raised her son as a single mom and for so long had to struggle to make ends meet, while another man reaped the rewards both public and monetarily, based on a good portion of someone else’s hard work.  Ultimately, I felt uplifted and happy that justice had been done, for Batman’s most influential founding father.  This documentary is also unique to watch because it breaks the mold of normal documentaries, by having some scenes drawn as a motion comic book. These scenes had the classic pulpy but noir look of the early Batman comic books.  I will always appreciate Bob Kane for his 25-50% contribution, whatever that actually was, to Batman. However, I’m glad justice was done for Bill Finger and I am thankful to him, for creating many of the aspects of Batman I gravitate to and love.  For the Finger family, Marc Tyler Nobleman was the hero they deserved and the one they needed.  For Marc Tyler Nobleman, the truth wasn’t good enough. He deserved to have his faith rewarded, and it was.  If you consider yourself a Batman fan of any kind, it is your absolute duty to watch and spread the word about this documentary.

Comic Book Review – Vampirella #8-10: A murder of Crows

(Submitted by Mr. Prince Adam…Thanks for the Vampi goodness, Superfriend! 🙂 xoxo)

“Vampirella’s back and on the hunt! Dynamite Entertainment’s acclaimed mistress of the dark continues her supernatural adventures, running a gauntlet of murder and despair across an increasingly imperiled globe. A trio of demoness assassins – the Kerasu Shimei (the ‘Crow Sisters’) – have clawed their into our world, and are intent on building a bloody monument to murder, sin and mayhem, and it will take all of Vampirella’s considerable skill to send them screaming back to Hell…” (Dynamite)

This book continues shortly after the one shot from last issue, where Vampirella was recuperating from her wounds from the battle with Dracula and Le Fanu. The book picks up with Vampirella and Sofia on a stakeout, tracking a trio of gruesome murders where three people of shady character have been crucified, with Japanese Kanji drawn in their blood beside them.  Vampirella has been contracted by a mysterious benefactor, who she has yet to reveal to Sofia, Through Vampirella’s inner musing, she reveals that she is keeping her benefactor a secret from Sofia, to not bring her deeper into Vampirella’s world.  Vampirella reveals that as much as she enjoys having a human partner, she wants to get Sofia out of this life because the last time she had a human partner, it didn’t end well for either of them.  In these quieter introspective moments, we start getting a sense of how attached and how much Vampirella cares for Sofia.  As nice as that is, the best parts of these scenes are the insinuation of the mysterious benefactor’s and former human partner.  I’m assuming her ex-partner was Adam Van Helsing, who she had a nightmare about in the previous issues.  As for who her benefactor is, I have no idea.  However, writer Eric Trautmann has me hooked liked a caught fish, waiting to see how both those plot threads play out.  In the first seven issues, Sofia is thrust into this monstrous world. She’s intrigued and captivated by it all.  Now that she’s had time to process it a little more fully, as a reader, you can see her fear and so can Vampirella, even though Sofia tries to hide it.  I love how the writer hasn’t thrust her forward so quickly, to the point where she’s okay with all the weird crap she’s witnessing.  She tries to cope by referencing that everything Vampirella does in this volume fulfills every trope from the horror movie genre.  She uses smart ass commentary to mask her fears.  That’s something I would do.  I hope the writers keep using Sofia as a conduit for the audience.  The other reason I absolutely loved this volume of issues, is due to the fact that the villains of this issue spring directly out of the first volume.  The Three Crow Sisters are Hell-Spawn, who were able to escape hell, when Vampirella’s battle with the Yag-Ath Vermellus, softened the barrier between hell and Earth.  The reason why they have killed those 3 people is because they represent cowardice, the immoral and the deceitful.  This coupled with killing Vampirella, who represents insolence, dishonors her fellow Vampires and is disloyal to them, will serve as a monument to corruption. These acts will tether them firmly to Earth, preventing them from being dragged back to hell. We also learn that the masks they currently wear are temporary tethers to Earth and amplify their strength and speed.  They are very formidable opponents, but she ultimately kills them.  However, not before the big revelation that the Crow sisters know of Vampirella’s true origins, whereas, she herself does not.  She has memories from different origins, which in actuality are different incarnations of the character in the comics, through the years.  In the book continuity, she is not sure what her real past is.  This is similar to what Wonder Woman is experiencing post Rebirth. I like this story hook, as it allows new readers to familiarize themselves with multiple possibilities, without doing too much extra “homework.”

Fabiano Neves returns on art and once again does great work.  This is going to be odd to say of a Vampirella book but the car chase scene looked good.  The art really captures the close quarters and break neck speed of the chase.  Also, the exploded car flip diversion Vampirella creates with the car, looked straight out of a Fast & Furious movie, minus Vin Diesel’s monotone acting, while still keeping the beautiful women.  The female villains wearing Guy Fawkes, V for Vendetta esque masks, looked creepy as hell.  And because the masks aren’t literally V for Vendetta masks, it never feels derivative. Since we essentially had hot vampire vs hot vampire in volume 1, they had to change things up a bit.  This is definitely visually striking.  I loved the visual of the crucified murder victims being on one hand being a darkly colored page, with his blood being the most colored object, while the other two were shown in black and white.  It gave the crime scenes a more mysterious, cold and frightening look and feel to them.  The page where Vampirella and Sofia are scouring around the abandoned farmhouse which is pitch black, and their backs are facing the “camera”/reader, is a quintessential horror moment.  It leaves you expecting and waiting for something bad or scary to happen.  That’s hard for a comic book to pull off, but to be fair, I may have cheated by playing a horror soundtrack as I read this book,

The more I read of Vampirella, the more I like the character and this book.  If you thought the story blew its load too early by using Dracula write off the bat, you’d be wrong.  I’m constantly impressed with every scroll of the digital page.  This character is under appreciated in the comic book world. If you haven’t read this book, or given this character a try, you simply must.  If you don’t, you’re truly doing a disservice to yourself and the genre!

Farewell Batman – An Adam West Tribute.

(A lot of folks are hurtin’ right now…Here’s Prince Adam’s personal take on Mr. West’s passing. Thanks for sharing this with us, Super Friend. 🙂 xoxo)

The world lost some of its light last weekend as Adam West, better known as TV’s Batman left this world after a brief battle with Leukemia.  Those who know me, know that I love Batman and have since my childhood.  It’s also true, that Michael Keaton and Tim Burton rocketed my Batman fandom forward, with the release of Batman & Batman Returns. However. You know that age old saying, you never forget your first?  It’s true, even when discussing Batman.  Given my age, and my self-professed love of the Keaton and Burton era, you’d think that Batman would be my first.  However, you’d be wrong.  My first Batman was indeed Adam West, via syndicated reruns.  Watching that show created a ritual in my house.  It became part of my after school ritual.  I’d come home, my mom would have milk and cookies waiting for me and I was allowed to watch Batman, before getting to my homework.  

Sure, now I know that show was chalk full of tongue in cheek humor120, but back then, I took it dead seriously.  While Adam West keyed adults into the humor with his delivery and slight vocal inflections, he still played it 100% honest for the kids.  When I was a kid, Adam West’s Batman costume was the most comic book to screen accurate I had ever seen! I wanted one of my own and as an adult I still do.  The other thing I liked, was that Bruce Wayne conformed to the stereotypes I had of rich people at the time.  He lived in a mansion, had a servant, went to parties, even holding gala’s himself.  He even went fishing with Dick Grayson.  Though, those fishing trips would often be a ruse, for explaining away their Batman duty.  What I loved as a kid, were the little life lessons Batman would give Robin, and by extension us the viewer.  Whether it be walking an older lady across the street, paying for parking, wearing your seatbelt and yes, the dangers of jay walking. Adam West as Batman gave us all the essential advice and advocated drinking milk and eating vegetables.  Batman with Adam West under the cowl, reaffirmed all our parents’ teachings.  He was essentially our uncle.  And come on, who wouldn’t want Batman as their uncle.  When you think about it, Adam West was the first live action Batman to highlight his detective aspects. Every week, he would comb through the evidence of a case with the bat-computer, other gadgets and the help of Alfred and Robin.  The detective aspect of Batman was barely present in Batman 1989 or Returns, it was nowhere to be found in Batman Forever and Batman & Robin.  Hints of it were found in The Dark Knight Trilogy, with the caveat that it was largely all done by Alfred & Lucius Fox. There was a decent sample size of detective Batman in BvS, which was carried equally between him and Alfred.  However, Adam West as Batman carried the torch of that character trait in bulk, from 1966 to 2016.

As an adult some of the best aspects of Adam’s performance is in his flirtation with Catwoman and specifically the will they/won’t they aspect of the relationship because he sides with the law, while she has criminal tendencies. What’s impressive, is that Adam West has the same heat and chemistry with all 3 Catwoman, so that even though the actress changed, the relationship maintains its history and so believing that all 3 actresses were the same Catwoman was an easy ask of the audience.  The way the relationship between the Bat & the Cat were portrayed here and their interactions, still serves as the backbone of that relationship to this day.  Some of Adam West’s best pure Batman superhero moments came against The Joker and The Riddler. Adam West an Caesar Romero were electric and in a tamer way, you never really knew what would go down between the two.  Also, no matter how many times you see it, Adam West and Frank Gorshin verbally sparring with riddles and answers never gets tiresome.  Most people will say their favorite Adam West moments rage between getting rid of a bomb, Bat-Shark repellent, and a surfing contest with The Joker, or even Adam West doing the Batusi.  For me it’s the scene where Bruce Wayne is having a 3 way phone call with Batman and Commissioner Gordon to discuss funds transfer for a ransom payment.  Seeing Adam West alternate between the Wayne Manor house phone and that red Bat phone, altering his voice to fit the appropriate character, depending on what phone he was holding was hilarious.  It also shows West’s acting talent, his range and the level of nuance he could achieve. 

For years, specifically in the mid 80’s this series was shunned by Batman fans as not a valid interpretation.  The problem with that line of thinking. Is that it and Adam’s version of Batman, are a valid interpretation.  This version of Batman is replicating and mimicking the comics from the 50’s and the 60’s.  The tone look and color pallet at that point are the same.  It’s also worth noting that this series saved the Batman comic books. DC was considering cancelling the books, but Bat mania began as a result of the show, bringing interest and popularity back to the comic books. I’m so happy Adam West was around long enough to see Bat mania 2.0 to return for his series, when the show became available on Blu-Ray.  In addition, they sold toys, based on the look and iconography of the show. Things came full circle for me, one night at my sisters house. The adults were enjoying coffee and cake, while the kids watched TV.  Suddenly, my nephews came in excitedly because a “New” Batman show was on TV! They had never seen it before! So I explained that I used to watch it, when I was their age. So I went down to their toy room and experienced their first time seeing Adam West as Batman.  It was a beautiful moment. PS: They loved it! Honestly, I think I’m going to do retro reviews of the Batman TV series here periodically. I’ve got the itch.  Unfortunately for us here on Earth, heaven needed a Batman, so Adam West will watch over the citizens of Gotham from above! Thank you for being my first Batman & the memories and for being a piece of what turned out to be a great childhood. I’ll miss you but I’ll never forget you!! Rest In Peace old chum!