Goon Review – Madhouse (1981)

(Submited by our Ho-rror Ho-mie, Mr. Andrew W. Peters…Thanks, Madman Magee! 🙂 xoxo)

Ovidio G. Assonitis, like most Italian film directors, had a wide variety of films he’s directed, including the Jaws cash-in Tentacles and the Exorcist cash-in Beyond the Door. Hey, it’s Italy in the late ‘70s/early ‘80s and cash-ins or rip-offs were their thing. He’s also produced a number of films like Piranha II: The Spawning, The Curse, the excellent and often underrated The Visitor, as well as American Ninja 4 and 5. Needless to say the guy knows horror and he also knows movies, so I was psyched when Arrow released Madhouse, an overlooked slasher film from 1981, in a brand new 2K restoration.

However, upon revisiting it, I understood why it’s possibly overlooked. It’s not that I hated, in fact I’m probably one of the few people that rather enjoy it, but I can see why people might find it so underwhelming and that’s because, well, it is. It’s a well made movie and it does have a very interesting premise, but for an Italian made slasher flick, it’s actually kinda tame and falls into cliched trappings and then there’s the reveal of the killer… hoo boy, it’s pretty obvious from the get-go who the killer is and you really hope they don’t “go there,” but, yeah, they do. It’s not only that it’s painfully obvious, but there doesn’t seem to be a clear motivation and honestly it kinda dampers what they were setting up. I gotta say and sorry for sounding like a broken record, but for an Italian made slasher in the early ‘80s, this film feels kinda like it’s playing it safe.

I keep calling it a slasher flick when Italy was more commonly known for suspenseful giallos and while Madhouse toys around with the idea of being a giallo, it doesn’t commit to being one. The same can be said about it being more of a character drama between two twin sisters, one evil and the other good. There’s a fine variety of different ideas here, but the movie can’t seem to decide on which one it would rather be and ends up being a moderate, ho-hum horror flick and for being Italian produced film, a country known for reveling in gore, it’s pretty tame. I don’t know if this was due to budgetary problems or perhaps Ovidio G. Assonitis thought it would make his film more suspenseful and to his credit, it is wonderfully shot and full of dark shadows, so it at least has a very ominous mood.

It opens up interestingly enough; two young girls sit still and silently in blackness as the camera pans in until one starts smashing the other one’s face in with a rock. Alright, movie, you have my attention. I’m interested in finding out what that was about, but unfortunately, we never do. At least, not really. Fast forward years later and the girls are all grown up and you could say they took different paths. One grows up to be a school teacher for the deaf and a stone cold fox, Julia, played by Trish Everly. Who’s Trish Everly and what else has she been in? Exactly. According to IMDB, this is her only credit and she never forayed into the world of acting again which is a shame, because she puts in a terrific performance.

Her sister Mary, on the other hand, has been less fortunate, living her life in a mental institution with a skin disease that has left her disfigured. Talk about drawing the short stick. Mary is under close observation by Father James, a friend of the family who Julia refers to as Uncle. Father James seems a little too pleasant and a little off kilter, so if you know anything about slasher films, I’m sure you’ll be able to see what direction they are taking this character. About halfway through the film, after the reveal of the killer, his character takes quite a silly turn as he’s nonchalantly hauling a body bag into a basement and chasing Julia’s landlady around the her building, skipping and singing children’s nursery rhymes. It’s kind of a whiplash in tone of character and I’m assuming it’s because people are under the impression that just because children’s songs are in a horror movie that makes it’s creepy, but they forget it needs to have context. That’s not the case here. It seemingly comes out of nowhere and I found more puzzled instead of interested and laughed at this reveal. If anything, this dampens the Father character’s motivation for everything happening. In fact when questioned about it, he just giggles and spouts a nursery rhyme that has no bearing or meaning on the situation. It explains nothing or maybe it does. Either way, it doesn’t ever explain why he’s doing what he’s doing.

 

The big red herring or twist of events happens when Julia receives word that Mary has escaped the asylum just in time for their birthday. The birthday doesn’t really play into the main plot, but give a reason for something to happen (I guess), but it just echoes of desperation for the film to take place during a holiday or event to mirror something like Halloween. To the film’s credit, the slasher does have a very interesting weapon of choice; a rottweiler. Yeah, I bet you’d never see the day a slasher film uses an animal as their knife. I was worried for the dog’s health and safety when remembering this is an Italian production, but luckily Ovidio here takes the dog’s well being into consideration. You figure a dog tearing apart the victims would result in a blood bath and mangled body parts, but if there is one thing really disappointing about the film, it’s that it lacks gore. I know gore doesn’t make a horror film, but spectacularly bloody deaths in a slasher makes a better viewing. At most, it’s blood smeared all over someone’s face and the most shocking death in the movie, the death of Julie’s favorite student, takes place off screen, but there I actually feel it gives it more of a punch, especially when she has to break the news to the other students at school. It’s a scene, however, that involves the dog being put into a headlock by Julie and putting a power drill through it’s head that this film is most likely notorious for. Even with a noticeable puppet in use, it’s still a rough scene to watch listening to the dog squeal.

During the finale of the film, I couldn’t help but think of Happy Birthday to Me (a slasher film I like, but find it a tad overrated) and that may be because Madhouse feels like it’s borrowing from other popular slasher movies of that time rather than try to be something original or experimental. That’s kind of surprising for being an Italian horror film, in a way, because while they were more known for ripping a film off, they still took the idea in a wild direction and made it it’s own beast. This feels more of the American cash-in variety where it takes no risks and spends no money on the gore budget. To the film’s credit, it’s the finale where you see what is most likely the goriest moment in the movie where a character takes an axe to the back, spraying chunks of flesh and squirting blood. You can’t help but wonder why this approach wasn’t taken during the rest of the movie. Maybe Ovidio wanted to make not necessarily a classier horror film, but maybe a more suspenseful one with more dignity. It’s unfortunate that’s not what happened.

Along with this being a new 2K transfer, Arrow also includes a new audio commentary with The Hysteria Continues. That’s sort of confusing as to why they would have the people from a comedy/horror podcast do the commentary for the film rather than the original cast and crew when they were able to get new interviews with them. You can also check out the alternate opening if you’d like and the theatrical trailer. I think the show stealer in this whole package is the newly commissioned artwork by Marc Schoenbach. Seriously a talented artist and that’s one hell of a spooky cover.

It’s not boring, but rather predictable and subdued. It is at least pretty to look with some creepy cinematography and it doesn’t hurt that it was filmed in a supposed haunted house in Savannah, Georgia. It’s more upsetting seeing what this movie could have been and what it turned out to be instead of it being an actual bad movie. It showed so much promise with a murderous twin angle and the classic black leathered gloved giallos and the end result is so disappointing. It’s tolerable and worth watching for a typical ‘80s slasher, but don’t expect anything beyond that.

Happy 4th of Boo-ly!

Happy Fourth, my fellow A-Scare-icans!

Yes, creeps, I’m proud to be an A-Scare-ican! I mean, we have produced some of the grooviest monster media ever! America brought us the Universal Monster films,  Halloween, Scream, The Exorcist, Jaws,  Freaks, Scream 2… and others! 😉 Edgar Allan Poe and H.P. Lovecraft were born here, along with EC Comics, William Castle, and Vincent Price!  Yes, other countries have produced some most eXXXcellent horror, but I’m thrilled to be part of country with such a rich history of spookiness!

Skullebrate the day! Start with a Fourth-tastic fright flick…Might I suggest I Know What You Did Last Summer, the scariest 4th of July cl-ass-sick of them all?

It’s the kind of awesomely ’90s slasherpiece that helped to make America spooky cool. How can you go wrong with a movie that features a murderous fisherman with a hook, Buffy the Vampire Slayer, and this bit o’ awesome…

Plus, it makes good use of the Ho-rrorday…

IKWYDLS is sincerely required Independence Day viewing in my Book of Shadows!  😉

After the movie, listen to some patriotic music…

And then take in some monster fireworks…

We hold these truths to be self-evident, that all ghouls are created groovy, that they are endowed with certain unalienable frights, that among these are awesome monster movies, eXXXcellent terror, and the pursuit of creepiness!

Happy 4th, Kinky Ho-mies!

 

Scary Shorties: Wink (2016)

(A Kinky Kwikie brought to you by the letter E…Thanks, Smutmaster Eric! 🙂 xoxo)

A woman at home on Halloween is texting, and becomes puzzled that her emojis have disappeared. Things get really weird after she opens her front door. It’s a suspenseful, imaginative short that runs less than 4 minutes.

Have a Heart: The Valentine’s Day Edition

(Submitted with eXXXtra love today by Smutmaster Ho-peless Romantic Eric, who also happened to pen the poetry included in this post….Thanks, Ho-rrorday Ho-mie. You’re a man of many tit-illating talents!! 😉 xoxo)

If you’re alone on Valentine’s Day or have someone sweet in your life, do your best to keep it a secret from your husband or wife. 😉

Rose are red, violets are blue. There are better horror movies, but on this day, these will have to do. 🙂

My Bloody Valentine (1981)

Trivia: Was filmed on location in Sydney Mines, Nova Scotia, Canada. It had 9 minutes cut by the MPAA due to the amount of violence and gore. Actress Pat Hemingway (w/ a heart tattoo) only appeared in two movies.


My Bloody Valentine 3D (2009)

Trivia: The first R-rated film to be projected in RealD technology and to have a wide release (1,000 locations) in 3D-enabled theaters.

IMO: Betsy Rue has the best sex/nude scene in any horror movie! (And Your Ho-stess seconds that opinion…She’s sincerely my hero for this! :))

Bonus:

Foreign Posters

Ho-stess’s PS- My Bloody Valentine is clearly the glamour choice, but I loves me some Valentine, too. 🙂

Ho-stess’s PPS On Valentine’s Day, you’ve just gotta go with the flow… 😉 HAPPY BLOODY VALENTINE’S DAY, KINKY HO-MIES! 🙂 xoxo

Ho-stess’s PPPSSS This. 🙂