News Bleed: The “Insidious Scream of the Snowman” Edition

Is the director of IT sinking his teeth into Dracula? Bloody Disgusting

A mysterious new Michael Jackson album called Scream is heading our way… and it looks like it might be spooky. 🙂 Variety

William “The Exorcist” Friedkin just filmed a REAL exorcism! IndieWire

Gary Oldman returns to supernatural terror with Mary. 🙂 Hollywood Reporter

The new trailer for The Snowman is chilling. Empire

The trailer for the latest Insidious is here to scare us! 🙂 io9

Splatterday Mourning Cartoons: Monster in My Pocket – The Big Scream

To all you Kinky Kreeps, I say…

It’s another delightfully frightful Splatterday Mourning here at Kinky Ho-rror! You know what that means…

CARTOONS!!!!!!!!!!

This week’s terror ‘toon is based on a cl-Ass-Sick toy-line from the late eighties/early nineties. It’s…

…or am I just happy to see you?

The Monster in My Pocket toys were these little ghoul-shaped figurines made of brightly colored plastic. So, they were basically just Halloween-y versions of the M.U.S.C.L.E. figures… and that awesome by us!

Of Corpse, being a toy-line from that period, there was an attempt at a cartoon tie-in…

In 1992, there was an animated special that was produced by Hanna-Barbera and aired on Halloween of 1992 on ABC. It concerned a group of heroic monsters fighting evil monsters… and that’s about it. But really, does it need to be any-Fang Morgue than that? It promises monsters and gives us monsters! I’d say this one-off does its job!

This one’s got a mummy, a vampire, an Invisible Man, a Jamaican Werewolf, a  Fay Wray knock-off, and Scream-Fu! Three Stars! Check it out!

#SupernaturalSaturday: Castlevania Season 1 Review

(Submitted by Birhday Boy Prince Adam…Hope your born week has been beyond a blast, Super Friend! 🙂 xoxo)

“A vampire hunter fights to save a besieged city from an army of otherworldly creatures controlled by Dracula.” (Netflix)

This animated series is based off of a third part in a video game series I have never played. I have no preconceived notions or expectations of what it’s SUPPOSED to be like. All I can say, is that the series that Netflix produced is something I really enjoyed and I’d like to see further explored. Thankfully, Castlevania has already been renewed for a second season. So my recommendation is to definitely get in on this before that eventual second season. The good news is, the first season consists of only 4 episodes, so it’s not a huge overwhelming time commitment. Surprisingly, in that 4 episode time we see Dracula fall in love, and get married. His wife is then burned at the stake by the Bishop and the people of Wallachia, for the accusation of being a witch. Dracula, when he discovers what happened to his wife, gives the people and the church a year to make peace with what they’ve done, before he wipes them off the face of the Earth. The story jumps forward a year, and we see the beginning of Dracula’s genocide on the humans. We also see the arrival of Trevor Belmont, which brings plenty of exposition about the fact that he is the last surviving member of the Belmont family, a disgraced clan of monster hunters, who have been excommunicated by the church, due to claims of being connected to dark magic. Speaking of magic, Trevor Belmont rescues a member of the Seekers, an ancient sect that uses magic to assist and help the people of Wallachia. Guess what, even they have been excommunicated from the church because of their magic. After fighting off some of the demons Dracula has unleashed on Earth, Trevor Belmont then rescues the granddaughter of the Elder of the Speakers, who is trapped in the catacombs of a cathedral. After rescuing the granddaughter, she and Belmont track down Dracula’s castle only to find a sleeping vampire Adrian Tepes. He awakens, a misunderstanding occurs and a fight ensues between the three. When Adrian revels that they fulfill a prophecy that says a vampire, hunter and a scientist will kill Dracula, they band together and hunt for Dracula.


What I loved about this series is that it respects several incarnations of the Dracula character. We have nods to the historical Vlad the Impaler, in the character’s name and the fact that he impaled his victims and skewered their head on a lance. He was also suave debonair, tall, dark and handsome. I loved that this show also highlighted that Dracula was at the forefront of science and technology, in the time period. Thus, in this story, Dr. Lisa Tepes comes to Dracula’s castle, despite knowing the myths about him, in search of his knowledge and science prowess to put into practice with her medicine. Initially, he is cold and distant, but quickly warms up to her, and witty banter kicks into high gear. Before you know it, she encourages him to start living and travelling like a human being. The series then jumps forward 20 years, they are married and Lisa is being burned at the stake as a witch for her interest in science. I wish the season had more episodes, so that we could’ve seen the development of their relationship and the change in Dracula. That way, when he snaps after her murder, it’s even more powerful and painful. I also liked the mythologies set up for both Trevor Belmont and the Belmont family. Trevor Belmont reminds me of a cross between Peter Quill aka Star Lord and Van Helsing. However, the mythology is glossed over because of the season’s short episode order. This is also true of the Speakers but we get an even more truncated version of their backstory. This seasons really needed 10-13 episodes to effectively flesh out all these storylines and backstories. Clearly though, the producers knew they were getting a second season, clearly saving plot threads for the follow up installment. While Dracula has a horrible endgame for Wallachia and its people. the true villain of this season is not Dracula, or the demons he unleashes. The villain is really The Bishop. He is going on a killing spree, taking out people who are suspected of having anything to do with magic. It is his decision to burn Lisa Tepes at the stake, which sets Dracula off on a vengeful murderous rampage. While Dracula’s ultimate endgame can’t be condoned, I can sympathize with his pain. The Bishop is doing all this, so he can be the one to defeat Dracula seen as the ultimate saviour of the Church and the people of Wallachia, ultimately ascending to the rank of Pope. The Catholic Church was full of corrupt leaders, who took part in burning witches at the stake, and using this true to life scenario because the story is set in mid-1400’s is smart. That little bit of reality set in this fantasy world, almost makes you forget this is an animated project.


Speaking of animation and the action, both were great. The art has a mix of Manga art, infused with traditional comic book art, by the likes of Michael Turner and John Romita Jr. I love the Roman/Gothic architecture of the cathedrals and Dracula’s Castle. The castle in particular looked pristine and beautiful when the lights are turned on. It’s hard to believe a vampire and demons live in such an abode. In terms of look, Dracula reminded me of a more rugged version of Luke Wilson from Dracula Untold. The gargoyle type creatures and the devil wolf dogs looked like Man-Bat mixed with Golam and direwolves mixed with Hulk Dogs, from Ang Lee’s movies. I loved that every so often, the skyline would be seen as the sun was setting. The orange/red color was more foreboding then it was beautiful, putting the viewer on notice that blood was about to be spilled. Speaking of blood being spilled, this show is damn bloody and violent and that’s great. It doesn’t shy away from showing blood and there is plenty of dismemberment that takes place. When Trevor Belmont starts kicking ass, corrupt priests lose fingers, an eyeball and even their head. In this series, Dracula can appear as a disembodied head engulfed in fire. I don’t know that this is one of his typical abilities, but it looks cool. The traditional traveling and forming from a swarm of bats is present and made this long time Dracula happy. There’s a scene at the beginning before the title card, where the bats swarm the screen. It reminded me of a more visceral, violent version of the moment in Batman Begins, where the bats swarm the screen, forming the Batman logo at the beginning of the film.


This first season of Castlevania is short, sweet, extremely dark and beautifully violent. Having said that, the four episodes feel like a combined episode of a typical live action pilot. The four episodes are all setup, for what’s to come next season. Thankfully, there’s enough mythology and demon fighting to make this an exciting thrill ride of an appetizer. Castlevania along with American Vampire, are the two best additions to vampire mythology in quite some time. The ending promises an even more satisfying and succulent experience, so definitely take a bite out of Castlevania Season 1, you won’t regret it!

Comic Book Review – Vampirella #8-10: A murder of Crows

(Submitted by Mr. Prince Adam…Thanks for the Vampi goodness, Superfriend! 🙂 xoxo)

“Vampirella’s back and on the hunt! Dynamite Entertainment’s acclaimed mistress of the dark continues her supernatural adventures, running a gauntlet of murder and despair across an increasingly imperiled globe. A trio of demoness assassins – the Kerasu Shimei (the ‘Crow Sisters’) – have clawed their into our world, and are intent on building a bloody monument to murder, sin and mayhem, and it will take all of Vampirella’s considerable skill to send them screaming back to Hell…” (Dynamite)

This book continues shortly after the one shot from last issue, where Vampirella was recuperating from her wounds from the battle with Dracula and Le Fanu. The book picks up with Vampirella and Sofia on a stakeout, tracking a trio of gruesome murders where three people of shady character have been crucified, with Japanese Kanji drawn in their blood beside them.  Vampirella has been contracted by a mysterious benefactor, who she has yet to reveal to Sofia, Through Vampirella’s inner musing, she reveals that she is keeping her benefactor a secret from Sofia, to not bring her deeper into Vampirella’s world.  Vampirella reveals that as much as she enjoys having a human partner, she wants to get Sofia out of this life because the last time she had a human partner, it didn’t end well for either of them.  In these quieter introspective moments, we start getting a sense of how attached and how much Vampirella cares for Sofia.  As nice as that is, the best parts of these scenes are the insinuation of the mysterious benefactor’s and former human partner.  I’m assuming her ex-partner was Adam Van Helsing, who she had a nightmare about in the previous issues.  As for who her benefactor is, I have no idea.  However, writer Eric Trautmann has me hooked liked a caught fish, waiting to see how both those plot threads play out.  In the first seven issues, Sofia is thrust into this monstrous world. She’s intrigued and captivated by it all.  Now that she’s had time to process it a little more fully, as a reader, you can see her fear and so can Vampirella, even though Sofia tries to hide it.  I love how the writer hasn’t thrust her forward so quickly, to the point where she’s okay with all the weird crap she’s witnessing.  She tries to cope by referencing that everything Vampirella does in this volume fulfills every trope from the horror movie genre.  She uses smart ass commentary to mask her fears.  That’s something I would do.  I hope the writers keep using Sofia as a conduit for the audience.  The other reason I absolutely loved this volume of issues, is due to the fact that the villains of this issue spring directly out of the first volume.  The Three Crow Sisters are Hell-Spawn, who were able to escape hell, when Vampirella’s battle with the Yag-Ath Vermellus, softened the barrier between hell and Earth.  The reason why they have killed those 3 people is because they represent cowardice, the immoral and the deceitful.  This coupled with killing Vampirella, who represents insolence, dishonors her fellow Vampires and is disloyal to them, will serve as a monument to corruption. These acts will tether them firmly to Earth, preventing them from being dragged back to hell. We also learn that the masks they currently wear are temporary tethers to Earth and amplify their strength and speed.  They are very formidable opponents, but she ultimately kills them.  However, not before the big revelation that the Crow sisters know of Vampirella’s true origins, whereas, she herself does not.  She has memories from different origins, which in actuality are different incarnations of the character in the comics, through the years.  In the book continuity, she is not sure what her real past is.  This is similar to what Wonder Woman is experiencing post Rebirth. I like this story hook, as it allows new readers to familiarize themselves with multiple possibilities, without doing too much extra “homework.”

Fabiano Neves returns on art and once again does great work.  This is going to be odd to say of a Vampirella book but the car chase scene looked good.  The art really captures the close quarters and break neck speed of the chase.  Also, the exploded car flip diversion Vampirella creates with the car, looked straight out of a Fast & Furious movie, minus Vin Diesel’s monotone acting, while still keeping the beautiful women.  The female villains wearing Guy Fawkes, V for Vendetta esque masks, looked creepy as hell.  And because the masks aren’t literally V for Vendetta masks, it never feels derivative. Since we essentially had hot vampire vs hot vampire in volume 1, they had to change things up a bit.  This is definitely visually striking.  I loved the visual of the crucified murder victims being on one hand being a darkly colored page, with his blood being the most colored object, while the other two were shown in black and white.  It gave the crime scenes a more mysterious, cold and frightening look and feel to them.  The page where Vampirella and Sofia are scouring around the abandoned farmhouse which is pitch black, and their backs are facing the “camera”/reader, is a quintessential horror moment.  It leaves you expecting and waiting for something bad or scary to happen.  That’s hard for a comic book to pull off, but to be fair, I may have cheated by playing a horror soundtrack as I read this book,

The more I read of Vampirella, the more I like the character and this book.  If you thought the story blew its load too early by using Dracula write off the bat, you’d be wrong.  I’m constantly impressed with every scroll of the digital page.  This character is under appreciated in the comic book world. If you haven’t read this book, or given this character a try, you simply must.  If you don’t, you’re truly doing a disservice to yourself and the genre!

Bride of #TBT: The “Dracula: Cereal Killer” Edition

Ho-wdy, Creatures of the Night!
Since we just escaped the clutches of a werewolf, let’s take look at its ancient enemy: the vampire!
And not just any rinky-dink vampire! We’re talkin’ ’bout the king of all vampires, the Prince of Darkness, one bad bloodsucka… Count Dracula!
Dracula’s met a LLLLOOOOOOOOOOOOTTT o’ monsters over the years… Frankenstein, The Wolf-Man, and other great ghouls… but there is one that stands above the rest: Count Chocula!
Yessiree, Count Chocula met the real Drac back in 1987! Unfortunately, due to controversy (the medallion Drac wears appears to be a Star of David), the pairing didn’t last long and the box was pulled off shelves. However, what we got was pretty groovy. In addition to that sweet box above, we also got this awesome commercial below:

If the next Dark Universe films are anything like that, I’m in!

It’s true what they say: Ladies Love Draculas. 😉 Fangs a lot, Counts! 🙂 xoxo

#FangsFridayFlashback: The “Barnabas Collins Gives Good Head” Edition

Thank God it’s Frid-ay, Kinky Kreeps! ;))

It’s another fang-tastic day, so we’re talkin’ about Barnabas Collins, the groovy vampire from TV’s Dark Shadows!
Before Edward sparkled in the sun, Johnathan Frid as Barnabas Collins was the heartless heartthrob who broke the hearts of teen ghouls everywhere. For monster kids, he was koolest korpse on the small scream.

When Barnabas ruled the night, they plastered his undead mug on just about everything… board games, joke books, toys, comic, and Horror Heads!

What were the Ho-rror Heads, you ask? Well, the Ho-rror Heads were probably the weirdest and most awesome thing to come out the popularity of Dark Shadows… besides the time Barnabas met Bozo the Clown. (True story!! :))

These strange little doll heads were like the unholy love-child of Madballs and carnival punks. They came in Barnabas (‘natch), Quentin the Werewolf, and… a witch. That last one’s a bit odd because the witch in the line is a generic Halloween witch and not Angelique, the main witch on Dark Shadows. But I guess it doesn’t matter which witch is which… 😉

For pure Dark Shadows awesome, check out the commercial below:

Splatterday Matinee Virtual Drive-In: The “Titans of Terror” Edition

Salutations, Students of the Macabre! Today is an eXXXtra special day for us Kinky Krees! We’re skull-ebrating the birthdays (and pure amazingness) of a peerless Triple Threat of Classic Ho-rror Greatness: the abominable Vincent Price, the vampiric Christopher Lee, and the madly scientific Peter Cushing!
Yessiree, Blob! Vinnie P. and Chris Lee were born on this day and Peter C. was born yesterday!  We’ve ho-nored the un-ho-ly heck out of these Princes of Darkness many times before, but they deserve it! These three gentle-monsters represent the very best that ho-rror cinema has to offer. Even in the goofiest, ho-kiest picture, these gentleman brought a supernatural grace and dignity. They made our collective nightmares pleasant ones and gave the Creatures of the Night a cool elegance. If there were a Mount Rushmore of Ho-rror (Mount Blood-Gushmore? Mount Rushgore?), you better believe these ghoulish gents would be on it!
For their Birthdays, we’ve put together the very first Kinky Horror Virtual Drive-In! We’re giving you a spooky-cool drive-in eXXXperience from the (dis)comfort of your tomb! There’s just no better way to ho-nor our Birthday Boils than to show off the ghoulish performances that stole our hearts and turned our hair white!.
First, a cartoon starring Mr. Price! After all, it is Saturday morning (somewhere ;)), so let us do it up right! The cartoon is an episode of 13 Ghosts of Scooby-Doo and it features Vincent Price as… well, Dr. Strange! A legally safe knock-off, that is. Since Vinnie P. inspired Dr. Strange, I suppose we can’t get TOO mad. 🙂 Besides, anything that features Vincent Price fighting ghosts and demons with black magic (and the Scooby Gang! :)) is spooky-cool by me!

Next, a friendly word from our sponsor and Mr. Cushing. (#GushingForCushing :)) You’ll have to pardon Peter… he’s having a guest DROP in! 🙂

Now, an important educational short from Mr. Lee. If you’re going to stay in this crazy game called Life, you’re gonna have to do The Time Warp! You may even need to The Time Warp… again! Mr. Lee is here to show you how it’s done! 🙂

And now…

Hammer Films gave history the (severed) finger with Rasputin – The Mad Monk! Christopher Lee gives one of his best performances as the maniacal mystic. If you ever wanted to see the story of Rasputin done as a Dracula film, this one’s for you!

The Doctor is In… Sane! Vincent Price slays again in this Art Deco nightmare! (Not to be confused with the Kinky Ho-rror writer of the same name…That’s totally a coincidence! ;)0


And for the last of the trailers, Peter Cushing is one of eight potential werewolves in The Beast Must Die, a ho-wlin’ whodunit from the folks at Amicus. The only film with the WEREWOLF BREAK, an inserted 30-second break that asks YOU to guess the werewolf’s identity! (So. Freaking. Rad!!! :))

And now it’s time for our…

Our first film is The Satanic Rites of Dracula, the last of the Hammer Dracula films. It’s nowhere near the quality of the earlier films, but it’s an interesting mix of spy thriller and Gothic ho-rror. Dracula really thinks big in this one. Instead of biting the necks a few buXXXom maidens, he plans on destroying the world! No, Drac! It’s best place to find awesome ho-rror films!

Horror of Dracula (1958)

While it’s not their best film, Satanic Rites of Dracula features Christopher Lee’s Dracula and Peter Cushing’s Van Helsing together again for the last time. Heck, Chris Lee’s Drac even gets some decent lines in this one! It ain’t perfect, but it does showcase two greats doing their freaky thing!

For a bit o’ Lee and Cushing, check out the film below:

INTERMISSION

We’re back! Our last attraction is The Last Man on Earth with, you guessed it, Vincent Price! The film is the first adaptation of Richard Matheson and the closest to the source material. Vinnie P. goes a full-blown stake-out here, eXXXisting as the only human in a world of vampires. What’s great about this film is that it’s one of the few times Vincent Price got to be the hero in a fright film. In this film, he’s not the monster… or is he!?!!? 😉

To see that the Price is Fright, check out the film below:


Here’s to you, gents! Thanks for making the world a creepier place! 🙂

A Very El Santo Cinco de Mayo

Happy Cinco de Mayo to all you Cool Ghouls and Groovie Ghoulies out there! The date is observed to commemorate the Mexican victory in the Battle of Puebla, but it has also become day to celebrate MeXXXican culture. In that spirit, I would like to take a moment to ho-nor El Santo, one of history’s greatest masked men.

Santo was born Rodolfo Guzman Huerta in 1917 and went on to become a real-life superhero. Santo’s wrestling career spanned nearly five decades, and he appeared in dozens of movies and comic books. Through his many appearances, he became a modern folk hero and, as Google put it, “a cultural icon, representing justice and the fight against evil.” The veiled victor went to great lengths to keep his face hidden away, even going as far as to have a special “mealtime” mask made for eating. The only time he removed his mask was in 1984 as a final goodbye to his fans. He died just a week later and was buried in his legendary mask.

To ho-rror fans, El Santo will always be known for his numerous monster films. The wrestling wonder went hand-to-claw with vampires, aliens, wolfmen, The Phantom of the Opera (El Estrangulador), zombies, cyclopes, and just about every fiend imaginable. Best of all, he bested every one of them with his fantastic wrestling skills! El Santo is Batman and Van Helsing rolled into one unstoppable monster-punching machine. No creature of the night stands a chance against the camel clutch of Santo!

In ho-nor of Cinco de Mayo and The Silver Maskman, we have Santo vs. las Mujeres Vampiro for your viewing pleasure! This is the definitive El Santo adventure, with its blend of whacked-out wrestling weirdness and deliciously Gothic atmosphere. While this version refers to El Santo as “Samson,” there’s no doubt this is the same butt-kicking luchador we all know and love. El Santo, by any other name, is still hard to beat.

Click on the box below to see El Santo in action:

Happy Cinco de Mayo, Fright Fans! 🙂 xoxo

#TataTuesday: The Outdoor Nudity Edition, Part 5

(Submitted by our beloved Smutmaster, Eric…Thanks, Kinky Ho-miebot! 🙂 xoxo)

Featuring: Kayden Kross, Sophie Dee, Ania Spiering, Kellie Cockrell & Monique Parent

The Hungover Games (2014)

 Blood Scarab (2008)


Bonus:

Diana the Vampire Slayer.

(LOL Aww…Thanks for including me, Smutmaster! 🙂 xoxo)

#MonsterMovieMonday: “It Came from the Malt Shop” Double Feature in Shock-o-Rama!


“Today we are concerned with juvenile delinquency – its causes – and its effects. We are especially concerned when this delinquency boils over into our schools.The scenes and incidents depicted here are fictional. However, we believe that public awareness is a first step towards a remedy for any problem.”

The previous quote comes from the opening text of 1955’s The Blackboard Jungle. That film features very little in the way of fangs and gore, but it does highlight one of the primary fears of the 1950s: teenagers.

Ho-rrible, ain’t they? The adults of the time thought so.  There was a widespread fear of juvenile delinquency, with “experts” claiming that post-WWII children were lazy, spoiled, reckless, disrespectful, violent, and just plain rude. Because of this, teenagers and youth culture were demonized and maligned to an extreme. Horror, being the genre that deals the most with society’s fear and anxiety, took this growing issue to the logical next step and made literal monsters of teenagers.


With the success of I Was a Teenage Werewolf in the summer of 1957, a horde of adolescent abominations invaded cinemas for the next few years. The next two teen terror tales to take the theaters were I Was a Teenage Frankenstein and Blood of Dracula, both films being part of a double feature in the November of 1957. While we couldn’t possibly top the drive-in eXXXperience, we are presenting the gruesome twosome here in this very post!
The monsters in both features are among the very best of ’50s schlock. I Was a Teenage Frankenstein‘s tit-ular ghoul looks very much like an apple sculpture shrunken head, and the teen vampire in Blood of Dracula looks like a creation from Dick Smith’s Do It Yourself Monster Make-Up. Both are utterly fantastic.

While Teenage Frankenstein is the clear winner here, both deliver on the teen thrills and chills.  My only complaint with Blood of Dracula is the title. How does the same studio behind the other two I Was a Teenage… miss out on the opportunity to call their vampire film I Was a Teenage Dracula?! Perhaps if they had done that, we’d be listening to Cramps song with that title…

For all you Hepcats and Kittens out there, here’s the double feature: