(Submitted by Mr. Andrew Peters…Rock on, Ho-rror Ho-mies! 😉 xo)
Even though Castlevania II: Simon’s Quest wasn’t a hit with the fans, Konami still made a sequel, but decided to bring it back to its original roots and becoming more of the simple side-scrolling game that the first Castlevania was. Castlevania III: Dracula’s Curse wasn’t just a retread. Not only was it a prequel to the first game, taking place centuries before those events, it also offered the player the ability to switch between playable characters and also take branching paths during certain points in the game. That’s Konami for you. Well, the old Konami. Always thinking outside the box.
The music this time around was different, but still in the same spirit, if that makes sense. In Dracula’s Curse, the tone seems to be much darker and it lacks that poppy punch (that’s the best way that I can describe it) that Simon’s Quest had. I guess the idea was to make it seem more gothic horror, having a much more metallic tinge and slower pace. It certainly fits the image that would pop into your head when you think of Dracula; a dark, blue evening with a full moon reflecting on a thick fog that masks danger. However coming off of Simon’s Quest that arguably has the best score in the entire series, Dracula’s Curse seems to lack that action-hearted punch. Not to say that it’s bad or anything, I just enjoy Simon’s Quest more thoroughly. The soundtrack, not the game.
Mondo’s presentation of Dracula’s Curse, however, is not lacking. The original artwork from Sachin Teng is hypnotically eye catching, making your brain try and piece it all together. Another thing you’ll notice right away is that this soundtrack is spread across two 12″ 180 Gram LPs, one Famicom and the other NES. Both versions have the same 28 tracks (which, by the way, is amazing amount of tracks for an NES game), but once again just as with Simon’s Quest, the Famicom version has a much more rustic sound than the NES version and for this soundtrack, I actually prefer the Famicom version. I feel like it has a much more gothic horror and atmospheric sound and it fits what I feel the game was trying to accomplish. Having said that, I do like the NES version of Stage 01, Beginning and Stage 06, Demon Seed better. Both have a higher energy that their Famicom counterparts don’t seem to have and those are some jazzy, energetic tracks. Konami Kukeiha Club once again did a fantastic job capturing a nightmarish batch of tunes perfectly fitting for a Castlevania game.
The records themselves are really beautiful too. The vinyls I received are orange with some black splatter all over them with tinges of white or silver here and there. There is a variant for you collectors out there, disc one is Trevor Bronze and Alucard Black and disc two is Grant Maroon and Sypha Blue. I haven’t seen those for myself, but I can imagine they are quite a sight to behold.
There’s no better way to celebrate the 30th anniversary of the Castlevania series than with these Mondo soundtracks. Castlevania III: Dracula’s Curse goes for $30 and while the split colored version is sold out, the orange with black splatter is still available, so get it while it’s hot.