(Submitted by Mr. Prince Adam…Thanks for the Vampi goodness, Superfriend! 🙂 xoxo)
“Vampirella’s back and on the hunt! Dynamite Entertainment’s acclaimed mistress of the dark continues her supernatural adventures, running a gauntlet of murder and despair across an increasingly imperiled globe. A trio of demoness assassins – the Kerasu Shimei (the ‘Crow Sisters’) – have clawed their into our world, and are intent on building a bloody monument to murder, sin and mayhem, and it will take all of Vampirella’s considerable skill to send them screaming back to Hell…” (Dynamite)
This book continues shortly after the one shot from last issue, where Vampirella was recuperating from her wounds from the battle with Dracula and Le Fanu. The book picks up with Vampirella and Sofia on a stakeout, tracking a trio of gruesome murders where three people of shady character have been crucified, with Japanese Kanji drawn in their blood beside them. Vampirella has been contracted by a mysterious benefactor, who she has yet to reveal to Sofia, Through Vampirella’s inner musing, she reveals that she is keeping her benefactor a secret from Sofia, to not bring her deeper into Vampirella’s world. Vampirella reveals that as much as she enjoys having a human partner, she wants to get Sofia out of this life because the last time she had a human partner, it didn’t end well for either of them. In these quieter introspective moments, we start getting a sense of how attached and how much Vampirella cares for Sofia. As nice as that is, the best parts of these scenes are the insinuation of the mysterious benefactor’s and former human partner. I’m assuming her ex-partner was Adam Van Helsing, who she had a nightmare about in the previous issues. As for who her benefactor is, I have no idea. However, writer Eric Trautmann has me hooked liked a caught fish, waiting to see how both those plot threads play out. In the first seven issues, Sofia is thrust into this monstrous world. She’s intrigued and captivated by it all. Now that she’s had time to process it a little more fully, as a reader, you can see her fear and so can Vampirella, even though Sofia tries to hide it. I love how the writer hasn’t thrust her forward so quickly, to the point where she’s okay with all the weird crap she’s witnessing. She tries to cope by referencing that everything Vampirella does in this volume fulfills every trope from the horror movie genre. She uses smart ass commentary to mask her fears. That’s something I would do. I hope the writers keep using Sofia as a conduit for the audience. The other reason I absolutely loved this volume of issues, is due to the fact that the villains of this issue spring directly out of the first volume. The Three Crow Sisters are Hell-Spawn, who were able to escape hell, when Vampirella’s battle with the Yag-Ath Vermellus, softened the barrier between hell and Earth. The reason why they have killed those 3 people is because they represent cowardice, the immoral and the deceitful. This coupled with killing Vampirella, who represents insolence, dishonors her fellow Vampires and is disloyal to them, will serve as a monument to corruption. These acts will tether them firmly to Earth, preventing them from being dragged back to hell. We also learn that the masks they currently wear are temporary tethers to Earth and amplify their strength and speed. They are very formidable opponents, but she ultimately kills them. However, not before the big revelation that the Crow sisters know of Vampirella’s true origins, whereas, she herself does not. She has memories from different origins, which in actuality are different incarnations of the character in the comics, through the years. In the book continuity, she is not sure what her real past is. This is similar to what Wonder Woman is experiencing post Rebirth. I like this story hook, as it allows new readers to familiarize themselves with multiple possibilities, without doing too much extra “homework.”
Fabiano Neves returns on art and once again does great work. This is going to be odd to say of a Vampirella book but the car chase scene looked good. The art really captures the close quarters and break neck speed of the chase. Also, the exploded car flip diversion Vampirella creates with the car, looked straight out of a Fast & Furious movie, minus Vin Diesel’s monotone acting, while still keeping the beautiful women. The female villains wearing Guy Fawkes, V for Vendetta esque masks, looked creepy as hell. And because the masks aren’t literally V for Vendetta masks, it never feels derivative. Since we essentially had hot vampire vs hot vampire in volume 1, they had to change things up a bit. This is definitely visually striking. I loved the visual of the crucified murder victims being on one hand being a darkly colored page, with his blood being the most colored object, while the other two were shown in black and white. It gave the crime scenes a more mysterious, cold and frightening look and feel to them. The page where Vampirella and Sofia are scouring around the abandoned farmhouse which is pitch black, and their backs are facing the “camera”/reader, is a quintessential horror moment. It leaves you expecting and waiting for something bad or scary to happen. That’s hard for a comic book to pull off, but to be fair, I may have cheated by playing a horror soundtrack as I read this book,
The more I read of Vampirella, the more I like the character and this book. If you thought the story blew its load too early by using Dracula write off the bat, you’d be wrong. I’m constantly impressed with every scroll of the digital page. This character is under appreciated in the comic book world. If you haven’t read this book, or given this character a try, you simply must. If you don’t, you’re truly doing a disservice to yourself and the genre!