Beach Party a Go-Go, Part 2

(Submitted by Smutmaster Eric…Thanks, Kinky Ho-mie! :))

Featuring: Ursula Andress, Nahanni Johnstone, Burt Lancaster, Deborah Kerr, Radioactive Waste, Robert Pine, Pamela Susan Shoop, Ants, Pierce Brosnan & Halle Berry.

Dr. No (1963)

Infested (2002)

From Here to Eternity (1953)

Empire of the Ants (1977)

Die Another Day (2002)

Ho-stess’s PS- This week’s #MonsterMaskMonday fits right in here, though it was less about the beach and more of a…Poo Party!! 😉 xoxo

 

 

#FBF: The “Evil of Romero” Edition

Ho-wdy, Undead-Heads!

As we said in Monday’s post, the zombie as we know it just wouldn’t eXXXist without the late, great George A. Romero. The influence of his Dead films can be felt in just about every form of zombie media, notably the ever-popular Resident Evil video game franchise.
We here at Kinky Ho-rror just adore the unholy heck out of out of the Resident Evil series… but who doesn’t?  The franchise has sold over 77 million units sold worldwide, produced countless pieces of merchandise, inspired theme park attraction, and inspired a series of Matrix remakes.

While the series eventually went for an action/adventure style, the first few games owe much to Master Romero. From the slow-moving flesh eaters to the claustrophobic setting of the first game, there’s no doubt that these games would not eXXXist without Romero’s mad genius.

In 1998, the series acknowledged the Romero influence by hiring the man himself to direct a live-action TV commercial for Resident Evil 2 (known as Biohazard 2 in Japan). The 30-second spot features a group of gruesome zombies raising hell at a jail and features game-accurate costumes. You can watch that bit o’ awesome below…

Though it only aired in Japan, the commercial inspired Sony to hire Romero to adapt the first game into a full-length feature. Unfortunately, the film eventually died, eventually morphing into Paul W.S. Anderson’s 2002 adaptation. However, it’s been said that the success of that film and the resurgence of zombies in pop culture allowed Romero to make 2004’s Land of the Dead.
As an added bit o’ Romero goodness, here’s The King of the Zombies talking about the commercial:

Hail King Romero!

News Bleed: The “Cult of DOOM!” Edition

Fargo creator Noah Hawley is the harbinger of Doom… Doctor Doom, that is. 🙂 Variety

American Horror Story finally reveals its title! 🙂 Screen Rant

David Cronenberg’s Consumed gets consumed by AMC! Deadline

The first Pacific Rim: Uprising urges you to join the Jaeger Uprising! 🙂 Entertainment Weekly

Game on! Check out the first Jigsaw trailer! Forbes

Halloween finally comes to Disney California Adventure. 🙂 Attractions Magazine

No more clowning around… a Harley Quinn vs. The Joker movie is (reportedly) happening! Movie Web

Happy Birthday, The Devil Rides Out!

On this day in 1968, all Hell broke loose…

Happy Birthday to Hammer’s sensational Satanic SuspenStory, The Devil Rides Out!

Based on the Dennis Wheatley novel of the same name, The Devil Rides Out is an unusual entry in the Hammer canon. While still technically a period piece (set in 1929), it’s not the normal Victorian Gothic fare one associates with the studio. The classically cinematic monsters Hammer was so fond of are absent here, instead replaced with a far more flagitious form of evil: the Devil himself.
The Devil Rides Out represents the very best of British ho-rror cinema. Enveloped in supernatural terror and drenched in menace, the film is perhaps the most legitimately terrifying beast unleashed by Hammer Studios and director Terence Fisher. It moves at an incredibly brisk pace, each moment rich with exquisite horror. Hammer music maniac James Bernard provides a superbly thunderous score that ranks among his best.


The film also gives the inimitable Sir Christopher Lee the rare chance to play the hero, an opportunity taken to its full potential. As The Duc de Richleau, Sir Christopher is as suave and urbane as ever, playing the part like an occultist Sherlock Holmes. In a career of perfect performances, Lee’s work here is among his best. As his Satanic adversary, Charles “The Rocky Horror Picture Show” Gray gives a brilliantly silky portrayal of pure evil. Makes ya wish these two had another Hammer film to go at each other’s throats…

In ho-nor of this fright film favorite, here’s a clip from the film. I must issue a word of friendly warning: if you are arachnophobic, I strongly urge you NOT to watch this clip.

For the rest of you… Enjoy:

Happy Birthday, The Devil Rides Out!

#TerrorTrailerTime: Attack of the Giant Insects (and Arachnids)!

Ho-wdy,Human Ho-mies!
Wel-cum to another #TerrorTrailerTime! We’re really going to bug you this week…

For ya Kreepy Krawlers out there, we harvested some trailers for some of the most insidious insect invasions of the ’50s and ’60s! These freaky features represent some of the very best in monster movie madness! So, roll up a newspaper and be prepared… this day belongs to the insects!
Here they are… the horror-horde of crawl-and-crush giants you’ve been hearing about…THE TRAILERS!!!

As a bonus, here’s a special song about our insect conquerors…

#WetWednesday: “The Don’t Go Chasing Waterfalls” (and/or Lakes) Edition, Part 3

(Submitted with love and lust by Smutmaster Eric…Thanks, Kinky Ho-mie, and Happy Humpday to all my Kinky Kreeps! 🙂 xoxo)

Featuring: WW, Elisabeth Shue, Tom Cruise, Jennifer Lynn Warren, Adrienne King, KK & Jessica Lange

Wonder Woman (2009)


Cocktail (1988)


Creature (2011)



Friday the 13th (1980)

King Kong (1976)

Batman & Bill (2017)

(Submitted by Mr. Prince Adam…Thanks for helping spread the good word, Bat Buddy! 😉 xoxo)

Who created Batman?  Well, if you scroll the reprints of old comic books or watch any Batman animated, or live action film prior to Batman v Superman: Dawn of Justice, it will tell you that Bob Kane is solely responsible for the creation of this enduring and much loved character.  However, in the documentary film Batman & Bill presented by Hulu,  Marc Tyler Nobleman uncovers a secret and exposes the truth.  Shortly after the success of Superman, National Comics, which eventually became DC Comics, went to Bob Kane and asked if he could create a second superhero for them.  At that Friday meeting, he assured them he would have their next superhero on their desk by Monday.  Over the course of that weekend, Bob came up with an idea and then showed his friend and collaborator on other books what he had.  That friend helped Bob tweak his ideas, implementing several suggestions, which improved and fleshed out the character. With both men happy, Bob Kane took the meeting, the publisher loved it and bought the character.  Bob and Bill had a verbal handshake agreement, where Bob promised to split some of whatever he earns.  However, during the meeting, Bob Kane never mentions that another person was involved in the creation of the character and negotiated a sole creator credit on The Bat-Man and eventually worked out getting a “piece of the pie”, as he put it.  I don’t know, nor was it stated in the film, whether Bob Kane shared any money from that sale with Bill Finger. It was stated that Bill Finger was hired as a writer/ghostwriter on Batman later on.  Some will say. “Well, at least he got paid for his work later on.” Well that’s all well and good, until you realize just how much of a hand in creating Batman Bill Finger actually had.  First, it’s worth noting that Bob Kane came up with the name The-Batman.  His version of the character was blonde, wore a red leotard and had a domino mask, akin to something Robin would eventually wear.  Marc Tyler Nobleman, consults archives and comic book writers and artists past and present, to reveal that Bill Finger was responsible for the following concepts; the origin, the costume, Bruce Wayne, Dick Grayson, Robin, The Joker, The Riddler, The Penguin, Catwoman, the Batcave, Gotham City and the Batmobile.  So, basically, Bill Finger created all the parts of Batman that are cool and make Batman…well Batman!  Even when DC Comics discovered the truth, years later, they didn’t do anything about it, for fear of opening up a legal can of worms with Bob Kane.  Bill Finger didn’t have funds to fight for his rights legally.

The truth was made public to fans at an early comic con in the 60’s, when a DC Comics editor introduced Bill Finger as the creator of Batman.  When he was questioned about it, he clarified what he was responsible for, which is all of the stuff l listed above.  What’s great about this document, is that you hear the rare audio clip from this convention.  You’re hearing Batman history, as you watch this documentary.   A contributor to a Batman fanzine publicized the quote in one of the issues.  This was Bob Kane’s first opportunity to set the record straight, finally giving Bill Finger the credit he deserves. Instead, he writes a letter absolutely, flat out denying Bill Finger’s comments, asserting that he was the sole creator of Batman and asks for it to be published in the magazine.  As years passed, while Bill Finger struggled to make ends meet and ultimately died alone, Bob Kane enjoyed the fame and part of the fortune Batman brought with it. This miscarriage of justice, is what led Marc Tyler Noble to write this book. To give notoriety and a voice for the often forgotten Bill Finger. Our writer/narrator in this film becomes a detective out for justice for Bill Finger.  He essentially becomes a real life Batman for Bill Finger.   The detective work Mr. Nobleman does would make Batman proud.  First, he goes to wear Bill Finger used to live and from there, discovers Bill Finger had a second wife who was still alive.  From her info, he was told that Bill Finger had a niece and nephew.  From there, he literally called every Finger in the phonebook until he found Bill’s nephew and niece.  Here we learned that Bill Finger had a son.  Marc Tyler Nobleman in the documentary excitedly perks up, as this relative could be one of the few that could challenge for creator rights for his father. Sadly, we learned that Bill’s son died of AIDS.  Just when it seemed like legal recognition was lost for Bill Ginger, the discovery of his granddaughter is made.  This was like an AH HA moment from the Batman ’66 TV show, when Batman and Robin would discover one of Riddler’s clues, or foil one of the Joker’s plots.  Marc Tyler Nobleman urges Athena Finger to meet with Warner Brothers to discuss getting a creator credit for her grandfather.  The film reveals that WB & DC acknowledged Bill Finger’s contributions but once again, didn’t want to open the can of worms in dealing with Bob Kane’s estate and trying to alter that credit. The documentary features an interview and quotes from the man who co-wrote Bob Kane’s biography, where Bob Kane produced a fake drawing of Batman dated in 1933 where he allegedly formed the concept of Batman.  The reason this is known to be fake, is because it looked like the core modern drawing of Batman, with the insignia in the yellow oval etc.  The first design, which was crafted by Finger, looked significantly different. In the same interview, recorded on tape and made available for the documentary, Bob Kane admits that Bill Finger was involved with 50-75% of the conception and creation of Batman. Armed with this recording, a lawyer and national attention, thanks to Marc Tyler Nobleman’s book and taking Athena Finger to conventions and spreading this story, Athena meets with Warner Brothers and DC Comics once more.  This time. she is awarded with a credit byline, for her grandfather.  Starting with episodes of GOTHAM & the release of Batman v Superman: Dawn of Justice, Batman’s credit line will read; Created By Bob Kane with Bill Finger.

This documentary fascinated me as it revealed a mystery about Batman’s creation that I and many other fans, weren’t aware of.  It made me sad, that for so long, Bill Finger wasn’t credited for his work.  Sadder still, that Bill Finger died alone, his son suffered and died from aids and Athena Finger raised her son as a single mom and for so long had to struggle to make ends meet, while another man reaped the rewards both public and monetarily, based on a good portion of someone else’s hard work.  Ultimately, I felt uplifted and happy that justice had been done, for Batman’s most influential founding father.  This documentary is also unique to watch because it breaks the mold of normal documentaries, by having some scenes drawn as a motion comic book. These scenes had the classic pulpy but noir look of the early Batman comic books.  I will always appreciate Bob Kane for his 25-50% contribution, whatever that actually was, to Batman. However, I’m glad justice was done for Bill Finger and I am thankful to him, for creating many of the aspects of Batman I gravitate to and love.  For the Finger family, Marc Tyler Nobleman was the hero they deserved and the one they needed.  For Marc Tyler Nobleman, the truth wasn’t good enough. He deserved to have his faith rewarded, and it was.  If you consider yourself a Batman fan of any kind, it is your absolute duty to watch and spread the word about this documentary.

#WerewolfWednesday: Werewolf of Washington (1973)

E Pluribus Lupus, Monster Mashers!

It’s another wild ‘n’ weird Werewolf Wednesday here at Kinky Ho-rror! For this week’s hairy ho-wler, we’re taking to the home of history’s most ho-rrifying monsters: Washington D.C.

Werewolf of Washington is today’s chiller-diller and, boy, is it some-THING! Part Monster Movie! Part Political Satire! All Terror!
The film stars Dean Stockwell, sans green hair. He plays White House Press Secretary Jack Whitter, a man cursed with lycanthropy…  Oh, boy.
This film probably isn’t going to give you nightmares, but I don’t think it’s really supposed to. It’s clear that this film was intended to be a commentary on the NiXXXon era. Can you imagine how-l much better All the President’s Men would be if it starred the Wolfman?
Ho-wever, that doesn’t mean there ain’t some prime werewolf terror! When the hairy one shows up, it’s classic B-movie madness! While it’s certainly no Jack Pierce monsterpiece, the make-up is pretty groovy. That’s certainly something to howl about.
Keep America strong… watch Werewolf of Washington below:

News Bleed: The “Scream, Vampirella, Scream!” Edition

Scream yet again… The rebooted third season of MTV’s Scream gets a cast and details. Hollywood Reporter

John Carpenter will tell us more Tales for a HalloweeNight this September. 🙂 Bloody Disgusting

The Great Movie Ride at Disney’s Hollywood Studios will close in August. 🙁
Bleeding Cool

James Cameron goes from director to colonial marine with this sweet new Aliens figure. 🙂 Entertainment Weekly

Get some early Ghoul-tide fear with this teaser for Better Watch Out. 🙂 Movie Web

The Dark Tower is only 95 mins long. Seems short for a story told in eight books… Collider

Hack/Slash vs. Vampirella is creeping onto shelves this Halloween. 🙂 Newsarama

And the Queen of Halloween herself, Elvira, is back in kreepy komic form, thanks to the dynamite folks over at Dynamite! 😉 Bleeding Cool

#MonsterMovieMonday: Night of the Living Dead (1968)

Dedicated to George A. Romero. xoxo

Ho-wdy, Flesh Eaters! 😉

Just another #MonsterMonday here at KH, so let’s wake the dead with one of the undeniable cl-ass-sicks of the ho-rror genre. If it doesn’t scare you, you’re already dead! From 1968, It’s…
This one’s huge (hehe ;))…It’s the ultimate zombie movie; often imitated, but never duplicated. The late, great George A. Romero did what few have done and essentially created a new genre of monster fiction. Yes, Haitian/voodoo zombies eXXXisted before (and are still awesome as heck), but Romero’s film created the shambling, flesh-eating corpses we know and fear today. Without this film, there is no Return of the Living Dead, The Walking Dead, or Shaun of the Dead.
Night of the Living Dead was unleashed nearly 50 years ago, but it still has the power to get under your skin. Its shoestring budget only adds to the nightmarish nature of the film. With perfect dread and an ending that still galvanizes, this is one of the monster films that will never truly die. George A. Romero is the true King of the Zombies.
Check out this masterpiece below: