(Submitted by Senor Prince Adam…Thanks for kicking ass, Kinky Kolleague! 🙂 xoxo)
“Rosemary’s just an average American co-ed bringing her boyfriend, Takehiko, home from college to meet her parents, who happen to be Satanists.” (Vertigo)
When I first started reading through this story, I thought that this was going to be a one off filler issue. Instead, what we get is a jaw dropping mythological twist and the setup for the next big arc. The issue starts off very casually enough. It’s about a boy and a girl, heading to a seemingly quaint town in New England, so the boy can meet the girl’s parents. You even see the girl warning the boy that her family is weird and to be prepared for anything. The stereotype is perpetuated by the boyfriends typical reaction of shrugging her warnings off as hyperbole. While this may sound like a typical romance story, it is anything but that. Shockingly, Rosemary and her parents. are part of a group of Satanists, living in the town of Devil’s Knob. Maybe the name of the town and the fact that this is a Lucifer comic book, should’ve made me think twice about writing this issue off as a romantic filler with some scares. As Rosemary tells her boyfriend the history of Satanism in the town, we the reader get just enough exposition that we need for the payoff for the rest of the story, we learn that a resident named Gordo, who started a church because he knew that if he ran a church, he’d never have to pay taxes, That reasoning is so humorous , yet so believable. I can imagine some lazy bastard doing this because he didn’t want to pay taxes. The fact that the church is in part a Satanic church and a club for Death Metal Band, serves the nature and tone of the comic book on the whole and the overall story. Rosemary tries to soften the idea of her parents being Satanists for her boyfriend Takehiko, by telling him that while there is a segment of Satanists who believe in a devil with horns and a pitchfork, for most, including Rosemary and her parents, Satanism is about physical gratification, putting yourself first, lusting after hot people, eating inappropriately, being a bitch or an asshole and treating it like a sacrament. Takehiko asks Rosemary if there are any true demonic or ghost stories associated with the church, she say yes. We then get the story that really kicks this comic into a high gear and it starts to have relevancy. During one of the parties, things got too crazy and the church/house burnt down with a drunk girl named Joanna Newton, who died inside. Gordo then, as folklore tells it, sold the girls soul for money to build a new church. If this were any standard romance story, the boyfriend would cut it and run. Instead, Takehiko says he’s looking forward to meeting her parents and attending their church function. He is ambushed by her parents and other members of the congregation, who are naked except for wearing robes and horns. They pull a blade on him, claiming to sacrifice him for Lucifer.
At this point, Takehiko snaps and calls them blasphemers and summons the supposedly dead Joanna Newton. Turns out Joanna survived the fire and managed to escape, after Gordo and the others left her for dead. This revelation means that, the deal Gordo made in exchange for her soul is incomplete. After learning the demon Gordo made a deal with was Asmodeus, Takehiko summons him. Here’s where the real twist comes in. Asmodeus is Lucifer’s brother and uncle to Takehiko, meaning Takehiko is the first born son of Lucifer. The book ends with Asmodeus ordering Takehiko to return to hell, allowing him to bring Rosemary, while he keeps Gordo as a slave, as a means to fulfill his deal. With Lucifer back in action, Asmodeus indicates it’s time to challenge Mazikeen for the throne and reclaim his birthright, becoming the King of Hell. I’ll be completely honest, I did not see that twist with Takehiko coming. The sad thing on my part, is that there were hints. For example, its mentioned that, his father was long gone and that eventually he would have to deal with the family business. These bits of writing were in bold, so I should’ve paid them more attention. Even worse, there were small demonic wings sprouting out of his back, as he was having sex. I’m going to use the fact that there was a sex scene and the fact that I was so engrossed in the backstory of the Satanic Church, thus I missed it. That’s my story and I’m sticking with it. There was no mention of Lucifer having children in the first story arc and I don’t know enough about Neil Gaiman’s initial run of this series, Given that reasoning, I have to give credit to writer Holly Black, for writing such a fascinating and distracting story.
Art for this issue was drawn by Stephanie Hans. This is a different artist than the first story arc but I liked her work just as much, if not more. While I said that a page or two looked painted in the last story, this whole book had a painted look to it. Specifically, an oil paint style. I don’t think it is actually painted though as it’s not mentioned anywhere in the credits info. Also, they don’t mention a colorist, so I’m going to assume, that too, was done by Stephanie Hans. The opening scenes, with the young couple driving through a wintery New England, was idyllically picturesque. I know people who live in New Hampshire and winter’s can produce quite the snowfall, so this imagery has some accuracy to it. The flashback scenes to the drunken party had this purple filter to them. I’ve seen color pallets such as this used in films and television when people get piss drunk or sky high and I like that this book borrows stylistic choices from other media. The art for the fake Satanic sacrifice ritual poked fun at the stereotypes that are out there about Satanism. I like that the art and this book as a whole, is very self aware and does this sort of thing. While Lucifer and his son look nothing like the stereotypical version of the devil, I’m glad others like Asmodeus do have the more red skinned, horned demon look we are used to. Gives the book some variety. Regarding Takehiko’s red demonic looking wings, as opposed to Lucifer’s white angelic looking wings. I’m going to assume this is due to the fact that Takehiko’s mother is an ancient Japanese demon herself, while we must remember that Lucifer is in fact an angel. Once again there is plenty of nudity in this book and it is very naturalistic and never done to be in your face, or over the top.
This issue is a great example of what a stand alone issue after a main story arc should be. A more personal intimate story that gives the reader time to catch their breath, while at the same time, getting us excited for what’s to come. I am beyond excited for the Game of Thrones-like supernatural battle for the throne of hell, that is about to go down. This book may be about the devil but the quality of writing and art continues to be heavenly good! It’s worth your time and money. After reading this, I am definitely going to do a commentary article on the television series, after Season 3 concludes, especially with Smallville alumni Tom Welling on the series.
(Submitted by your Super Friend and mine, Mr. Doctor Prince Adam…Thanks, you Naughty Nerd, you! 😉 xoxo)
“No Angel is a cosmological and conspiratorial modern western with super power by way of The Da Vinci Code.” (Black Mask Studios)
No Angel is an independent comic book, written by the brother sister team of Eric Palicki and Adrianne Palicki. If that name sounds familiar, it should. Adrianne Palicki starred in the film Legion, played Mockingbird on Agents of SHIELD and starred in the pilot for the David E. Kelley Wonder Woman series, which never got off the ground. Her involvement is how this book got on my radar. Thee book starts out with an FBI agent based out of Chicago, returning home to the small town of Tucker’s Mill Wisconsin. Our protagonist Hannah Gregory, comes upon her old house with her high school friend, now the Sheriff. The house is now a cordoned off crime scene, as her father and brother have been murdered. While attending the funeral, Hannah meets a woman who had a relationship with her father. The woman suggest they should talk, handing Hannah a piece of paper. Hannah scolds the woman and demands she leaves. If this is sounding like a paint by the numbers CBS Drama, I thought the same thing at first and was quickly losing interest. However, the book quickly takes an interesting turn, when Hannah reads the note, which has a bible passage on it. This bible passage, tells of angels mating with humans. Curious, Hannah meets with Miriam Chapman, who tells Hannah that she and her father were indeed a couple, but it was more than just sex. Miriam and her father believed in the Nephilim , which are the children created from the unions of angels and humans. It turns out that these bible passages have truth to them and that Miriam and Hannah’s fathers research deduced that the bloodline of the Nephilim has survived and that they, along with their family members are descendants of angels. Adding to the mythology, is that Hannah has a half sister named Jessica. Due to the pairing of two descendants of the Nephilim, she is born complete with actual Angel wings. I’m sure there are films and television that flirt, or directly deal with the children of Angels and human fornication. I think the aforementioned Legion starring the co-writer of this book, dealt with a similar idea. Also, a recent issue of Lucifer, saw human and a demon give birth to Cain and Abel. Even Preacher has an angel and demon hooking up and creating a unique offspring. However, the idea of humans and angels getting together, coupled with the family drama, that originally had my interest waning, actually made the supernatural element more unique. The further mythology is cool as well. There are several other descendants of angels, that comprise a group know as the Eloise. The members/descendants of angels are from all denominations of religion, including Christianity, Judaism and Islam. I love the decision that, while the conception of angels is rooted in Christian mythology, other religions are included as descendants of the Nephilim and in the group of believers known as the Elioud. Religion often divides amongst different denominations, so seeing them all come together under a common belief was a welcome change of pace from the reality we live in at times.
With the mythology now set, the revelation (no pun intended), that the death of Hannah’s father and brother was no random robbery is revealed. The murders were actually part of a string of murders of Elioud members that began 14 years ago, The killer is a man named Elliot. Elliot is a member of the group The Watchers, who believe in the Angel Azazel. According to The Watchers, Azazel understood the tyrannical potential of his fellow angels, went down to Earth and shared secrets with humanity about angels and helping them create weapons that could kill the angels. For his deeds, Azazel is punished, disfigured and cast out of heaven. He is chained and buried underground, However, he gets free by mutating into a horde of spiders. He and his followers drove the angels into disappearance. However, now that they are back via their descendants, The Watchers, via Elliot are back on the hunt. I loved the classical battle of good and evil, where the roles are so clearly defined. There’s no black and white and sometimes, that’s okay. Too many characters are shades of grey in modern stories. The rest of the book is a chase/hunt, with Elliot hunting Hannah and Jessica, while they race to evade him and try to protect other members of the Elioud. As a result, I agree with the description calling it a modern day western. In fact, it reminds me a little bit of Logan, with Hannah being this story’s Wolverine and Jessica being the Laura/X-23 character. There are deaths as a result of this chase. Miriam is killed by Elliot and when Eliot has a gun pointed at Hannah ready to pull the trigger, Jessica ignites a fire at the gas station, burning Elliot to death. Jessica is mortified by what she’s done, after her parents have raised her to be pious and live a peaceful life. Seeing her half sisters pain, Hannah tells a story about her time in the war in Baghdad, where to save her partner, she threw a grenade into the apartment the sniper was stationed in. Ultimately, she saves her partner and got a commendation for it, yet she was ultimately mortified when she realized the sniper was just a boy. The similarities between the two siblings actions, and reactions to the consequences of their actions, further bonds them. This is a big moment for Hannah because at the start of the book, she was very closed off towards her family. However, each issue showed a progression of Hannah opening up to the notion of a sister, accepting her as part of her family and the fact that she’s an angel, before finally accepting her role in Jessica’s life, post Miriam’s death. I loved the slow burn of this relationship. It would have been absolutely disingenuous if Hannah embraced and accepted Jessica straight away. I also really enjoyed the juxtaposition of Hannah’s war time flashbacks, with Jessica killing Elliot. This book manages to ground itself in the unfortunate reality of war, while telling a story with overt supernatural trappings. Not many movies, comic books, or television can balance both as good as it is here.
Art is drawn by Ari Syahrazad. His art is new to me but is very reminiscent of Michael Lark’s work on Daredevil, though that art is slightly more detailed. This book had everything, The dark, gritty, earthy look of war. You feel like you’re in Baghdad, and that your life is in danger, as you track Hannah and her fellow soldier through that warzone. The creepiest image is easily seeing spiders crawl out of Elliot’s eye socket’s and all over his face. The second creepiest is a young Elliot being indoctrinated into The Watchers, while staring at the strung up bones of Azazel. The opening of the door, to reveal Jessica, Hannah’s literal Angelic half sister looked both impressive as it should, yet rather small scale given the homely setting. It’s a very unique image to behold. We’ve got grit, we’ve got a creep factor, and we also have big action sequences. We’ve got a car chase shoot out, that looks like they could be Need for Speed concept art drawings. There’s also a gas station explosion and Elliott going down in flames, that would make Michael Bay and James Cameron’s testicles tingle. The artist can seemingly draw literally anything the writers throw at him.
I didn’t even know about this book, let alone have any expectations for it. Yet, here we are and I really liked it. This book was a four issue mini series but the ending implies that more is to come (no I won’t spoil the ending.) I definitely want more, especially after the end of the epilogue. So, do your part, buy this book and read it, so we can get a volume 2. Buy it because independent comic books don’t always get the love and exposure they deserve. More importantly, buy this book because it’s a fantastic story!
(Seemed appropriate for #HarleyQuinnDay…Big thanks to Prince Adam for sharing his Bat-thoughts with us. 🙂 xoxo)
“Batman and Nightwing are forced to team with the Joker’s sometimes-girlfriend Harley Quinn to stop a global threat brought about by Poison Ivy and Jason Woodrue, the Floronic Man.” (Warner Brothers)
This movie had me the minute it was set in the style of Batman: The Animated Series, featuring the voices of Kevin Conroy as Batman and Loren Lester as Nightwing, The new addition to the Bat-Family, comes in the form of Melissa Rauch, of The Big Bang Theory fame, as Harley Quinn. To be honest, it was her casting that worried me. I though her name recognition from TBBT and the signature voice of her character, would take me out of the movie and be a hindrance to the character. However, Melissa was fantastic and except for one time when she screamed at someone in the film, did I recognize it was her and get pulled out of the film, otherwise the actress totally disappeared and all I saw and heard was Harley Quinn. Hearing Kevin Conroy and Loren Lester again, felt so right and sounded like the pitch perfect dynamic duo. It’s like they have been doing this for 25 years straight, with no time lapses in between. Giving a voice to Poison Ivy for this film was Paget Brewster. She was okay, but I don’t think she was distinctly Ivy enough. That’s not necessarily her fault though because, she only had one scene where she employs Ivy’s trademark seductive, hypnotic sexiness to get a man to do her bidding. Poison Ivy’s partner in crime n this feature is Jason Woodrue aka the Floronic Man. The inclusion of this villain fits, given Ivy’s involvement and I really like his inclusion, not because I’m a huge fan of the character but because, he’s never really used. Come to think of it, even amongst Batman’s heavy hitters, Poison Ivy was underused. Even when she featured in episodes of Batman: TAS. The Floronic Man is voiced by Kevin Michael Richardson. This actor voiced The Joker for four seasons on The Batman but never once did I hear The Joker in this performance, which speaks to his range and versatility. Though, his voice is tailor made for portraying a villain.
As for why Harley Quinn would help Batman and Nightwing, it’s because she’s trying to live her life on the straight and narrow. Especially, since she has separated from The Joker. However, due to her criminal past, no reputable organization would hire someone with a criminal past and record, as a psychiatrist. Though, she makes a point at hinting that late nigh risqué movie producers have shown interest. Instead, Harley take a job at a bar called Superbabes. The waitresses all dress up in skimpy superhero costumes and are often ogled and groped by male patrons. One night Harley is grabbed in the ass, flips the customer over a table and starts a bar fight before heading home. This whole time, Nightwing was tailing her, following her back to a rundown, abandoned apartment. Naturally, there is a scuffle and Harley Quinn not only holds her own against Nightwing but knocks him out. When he comes to, Nightwing realizes that he’s tied up. Harley, changing out of her costume is in her bra and panties. She begins being flirtatious with Nightwing, saying they both have something the other wants. Nightwing protests, in a half assed way, before admitting the idea of being with Harley does sound appealing, The lights go out, the costumes come off and the scene cuts away as the implied sex scene happens off screen. Some reactions online, have people up in arms, throwing a hissy fit over this scene. Firstly, some are calling the moment a glorified rape scene, given that he was tied up and at first refused Harley’s suggestion. If you actually rewatch the scene, you can see that it’s quite clear that Nightwing is more than agreeable to having sexual relations with Harley. Once Nightwing agrees, I view the ropes as some kinky, superhero/supervillain role-play type of scenario. Prior to that scene, when both characters were physically fighting, Harley Quinn was verbalizing that she was tired of people telling her what to be and assigning a label to her. For example, some see her as crazy, others see her only as a villain, while others still, view her as a sex object. She mentions, how she wants to be in control and determine who she is. While some see the sex scene as demeaning, only further objectifying Harley, I saw her initiating the flirtation, and being in control of that situation. I saw it as a moment of empowerment for Harley Quinn. That’s my take on the whole “controversy.”
As for why Nightwing was following Harley and not Batman? The Dark Knight was busy doing detective work, uncovering Poison Ivy and the Floronic Man’s diabolical scheme. Firstly, I love that this film focuses on Batman being a detective. To me, Batman: TAS and issues of Detective Comics, are the only two interpretations, that really key in on this aspect of his character. Speaking of our villains’ plan, it involve using samples of Alec Holland’s (Swamp Thing’s) blood, mixed with a chemical agent, that when dispersed, would turn the human population into plant like creatures, such as Floronic Man and Swamp Thing. I like that the evil plot is perfectly symbiotic with the overall goals and beliefs of our villains, unlike that time when Poison Ivy teamed up with Mr. Freeze in 1997, and their plans were in complete opposition and counterintuitive of each other. Back over at Team Batman, when the Caped Crusader rejoins Harley and Nightwing, he catches them in a compromising position. While he doesn’t say it outright, you can tell he is judgemental of what they did. Nightwing responds with; “Oh right, like you’ve never made out with a villain before.” I loved this line because, it’s a clever callback to Batman’s trysts with Catwoman and Talia al Ghul respectively. It also calls out Batman’s hypocrisy in this moment, but also speaks to the closeness and rapport between Batman and Nightwing, that Dick Grayson can speak to Bruce this way. With Harley assisting Batman and Nightwing, you knew humor would be a key feature of this film and it is. As the three drive in the Batmobile to find Ivy’s location, Harley complains that a burrito she ate earlier isn’t agreeing with her and they should pull over. Batman refuses and Harley retorts; you asked for it, before beginning to fire off some farts. Batman & Nightwing’s facial reactions are hilarious. Yes, I know getting laughs from farts is a bit cheap and childish, but in addition to her sexiness, Harley Quinn has always had a childishness about her, so it works. There’s also a scene where Batman calls the Justice League for potential backup. However, all the heavy hitters are off world, so Booster Gold starts naming a bunch of C and D list superheroes that could help out. As Booster Gold’s voice rattles off names through the intercom of the Batmobile, Harley Quinn and Nightwing shake their head no and make faces in disapproval, before ruffling papers to make it sound like their was static, before hanging up on Booster Gold. This was priceless and had me in stiches. Harley Quinn’s influence is clearly rubbing off on Nightwing. Harley takes Batman and Nightwing to a bar for supervillain henchmen, where she meets an informant, who has info on Poison Ivy’s location. To get info out of an informant, Harley has to sing karaoke. That’s not the fun part though, as Melissa Rauch unfortunately is a terrible singer. However, the henchmen featured at this bar, are ones featured in the Batman 66 TV series, specifically noticeable are Catwoman’s henchmen. They even buy Batman a glass of milk, as a nod to his drink of choice on the Adam West series.
When the unlikely trio finds Poison Ivy and Floronic Man, Harley Quinn pretends to double cross Batman and Nightwing, to gain their trust, However, when she pleads with Ivy to not go through with releasing this pathogen, Ivy realizes Harley lied to her. Even Batman tries to appeal to Poison Ivy’s humanity, pointing out that if she makes even one mistake with the formula, all of humanity will be wiped out. When she still doesn’t budge, Harley Quinn removes her mask and makeup, gives Ivy a “puppy dog” look and begins to cry, lamenting that she doesn’t want to die. Ivy can’t resist Harley crying and agrees not to release the toxin on humanity. She too now turns on the Floronic Man. While some may say Poison Ivy’s turn was too easy, I liked it! It really emphasises the close knit relationship and love that Harley and Ivy share. This is both emphasized in the comic books and animated series. There are a few things, that I didn’t like about this film. Aside from the fight scene between Harley Quinn and Nightwing, which was awesome, the action in this film is extremely limited. And when it is their, the film cuts away from it, When you see the henchman bar fight, you’ll know what I mean. Swamp Thing has a cameo in the third act, condemns Ivy & the Floronic Man for what they’ve done, but refuses to get in the fight. He doesn’t get involved because “It’s not his “fight.” What!? How is it not his fight? They tampered with his blood and what they plan to do, is going to alter The Green, the nature that Swamp Thing is sworn to protect. How is that not his fight? It made no sense. What a wasted cameo. Also, I was let down by the final battle with The Floronic Man and it stems (pun intended), from the reasons I just mentioned.
This film has key voice cast from Batman: The Animated Series, the animation style evokes later seasons of Batman: The Animated Series, which was rebranded The New Batman Adventures but one thing that is different is the tone. Sure, there is some dramatic story telling of the classic animated series, but this is more of a comedy set in that world. So prepare yourself for that but you know what, for me, it really works. I have never laughed so much while watching a DC Animated show, or movie. If you want a good laugh and 75 minutes of fun with characters you love, give this film a buy and a watch. Happy Batman/Harley Quinn Takeover Day everyone!
(Submitted by Senor SuperheroScifi himself, Mr. Prince Adam…Thanks, Super Freak! 😉 xoxoxoxo))
GOTHAM Season 3, picks up right where the second season left off. The Indian Hill Monsters are on the loose. This includes Fish Mooney and Bruce Wayne’s doppelganger. Jim Gordon has once again left the GCPD and now freed from bureaucratic red tape, hunts down the “monster’s and solves other crimes as a bounty hunter. Meanwhile, Lieut.. Barnes and Detective Bullock try to maintain order in Gotham City and straighten out a police force in disarray. All the while, Leslie Thompkins has moved on from Jim Gordon, and is set to marry Mario Falcone, son of mob boss Carmine Falcone. The first half of the season is titled Mad City and sees the freaks from Indian Hill tracking down Hugo Strange, to discover why their powers are actually killing them. Each of the main characters are affected by this development, In his search for clues about the Indian Hill escapees, Jim Gordon teams up with photo journalist Valerie Vale to track them down. Bruce Wayne and Alfred Pennyworth are tracking Bruce’s Doppelganger, who is out on the streets, assuming his life and ruining his relationship with Selina Kyle. Penguin meanwhile, is using the Indian Hill chaos to make a bid for mayor, He gets Butch Galzean and his cronies to kill the other candidates, handing Penguin the mayoral seat. Edward Nygma is promoted in Penguin’s organization, leaving Butch out in the cold. Butch secretly joins the Red Hood Gang, and plots to kill Penguin. The show throws a curveball in the Penguin/Nygma relationship, by having Penguin in love with Nygma, However, in a soap opera type twist, Nygma falls in love with a librarian named Isabella, who looks exactly like Kris Kringle, the woman he killed last season. Penguin can’t handle Nygma being with anyone else, so he has Isabella’s breaks cut, causing her to die in a car accident. When Nygma discovers the truth behind Penguin’s motives and actions, he too, plots to drive Penguin mad, before killing him. Back to Gordon’s quest. His Bounty Hunter calling brings him into contact with Jervis Tetch, who comic fans will know as the Mad Hatter. Jervis is looking for his sister Alice, a patient at Indian Hill, who is on the lose and has a blood disease. In reality, Jervis is trying to find his sister to use her blood to infect citizens of Gotham, making them angrier, prone to more violence, and giving them enhanced strength. When Jervis finally finds his sister, he holds her captive and extracts her blood, against her will. At first, he infects Captain Barnes, who later becomes the villain known as the Executioner. In an altercation between Jim Gordon and Jervis Tetch, Alice is killed. Jervis escapes, and sets out for revenge against Jim Gordon. He infect Mario Falcone and kidnaps both Leslie Tompkins and Valerie Vale. Valerie ends up getting shot and wounded, before Jervis is ultimately apprehended and sent to Arkham. With that, the first half of the season known as Mad City ends.
The first half of Season 3 of Gotham was all over the place for me. Given all the hierarchy office politics and corruption Jim Gordon has had to put up with in the first two seasons, I like that he’s broken away and become a bounty hunter, It makes sense story wise, could be plausible for the hard boiled Year One esque Gordon we are presented with, and fits perfectly with the rough and tumble version played by Ben McKenzie. I even like the inclusion of Valerie Vale. Obviously for her familial connection to Vicki Vale. (the former is the latter’s aunt.) What I will say, is that Valerie Vale is tougher, and a better investigative reporter/photo journalist as played by Jamie Chung, than Vicki Vale played by Kim Basinger, Though, it was disappointing, that she was ultimately used as a plot device to prove to Jim Gordon, that he still ultimately loves Leslie Thompkins.. I though everything involving the Penguin and Edward Nygma was great. Penguin running for mayor was both a call back to Batman 66 and Batman Returns. Penguin being revealed as gay and in love with Edward Nygma, is an interesting change, that I’m totally okay with. You can see why Oswald would develop those feelings. Over the course of both seasons, Nygma is the only one that’s supported Oswald and they’ve helped each other in times of need. You get why Penguin goes overboard when Nygma rejects his proclamation of love. Though, having Nygma’s girlfriend killed is deplorable, and the schism between the two is meaningful. The escaped Indian Hill captives on the loose was almost pointless, save for Doppelganger Bruce being on the loose and Poison Ivy coming into contact with a metahuman’s who’s touch, steals her youth. However, Ivy wasn’t in his grasp long enough, and therefore only ages to a mid 20’s adult. The result is actress Maggie Geha assumes the role of Poison Ivy. She’s sexy, sultry and is able to pull off Ivy’s classic mesmerizing and control of men with ease. PS: I’m glad Fish Mooney finally 100% dies this season. It’s about damn time. I absolutely hated Jervis Tetch and the whole super blood virus plot point. It was ridiculously stupid and Mad Hatter was nothing more than a Riddler wannabe. However, this show already has a much more superior Riddler. Also, there’s a sexual tension that Jervis has for his sister Alice, which is extremely creepy. (Dear Gotham Writers, just because it works for Game of Thrones, doesn’t mean it’ll work for you.)
Prior to the second half of the season truly kicking off, there’s a three episode interlude that deals with a cult dedicated to Jerome, who you’ll remember is GOTHAM’s version of the Joker. The Leader of this cult has obtained Jerome’s body and resurrects him in a very Frankenstein way. The result literally starts to peel Jerome’s face off. Before killing the underling that brought him back to life, Jerome’s face is stitched and stapled back on. This was horrifically gruesome and was a great callback to the Joker losing his face in the first arc of Detective Comics in the New 52. The show mixed new and old, once again, having Jerome commandeer a TV station to lure Bruce Wayne and Jim Gordon to the Gotham fair grounds We saw Jerome commandeer a TV Station last season to get his message out there. Once again, this is a nod tp Heath Ledger in The Dark Knight, while also honoring the Joker’s first appearance, where he interrupted a radio broadcast. Jerome is doing all this because Bruce and Gordon foiled his plan the first go around and, inadvertently led to his death. The Fairground setting also has ties to Batman lore, specifically, Batman: The Killing Joke. Much like in that book, where Batman and Joker fight in a Hall of Mirrors, so to, do Bruce and Jerome. The tension, hatred and frustration these two characters have historically had for each other, is beautifully recreated by David Mazouz and Cameron Monaghan The fight between the two was riveting. GOTHAM‘s Bruce Wayne goes full Ben Affleck Batman in the BvS where house scene, and Jerome taunts Bruce like Heath Ledger’s Joker did, in The Dark Knight. I genuinely believe that the performances by David and Cameron belong in the same sentence as those iconic moments in Batman on film lore. The two characters and actors and characters, are so dynamic and electric on screen together that before tis series comes to an end, I want a season long arc with the Bruce/Jerome conflict at its core.
With the Indian Hill Leftovers mostly dealt with, the second half of the season known as Heroes Rise elevates the rest of the season into high gear. Edward Nygma orchestrate a fake kidnapping, so he can separate himself from Penguin, and begins to torment mayor Cobblepot, hiring an actor to play the ghost of Penguin’s dead father. After driving Penguin mad, Edward Nygma steps out into the public as The Riddler, going about committing riddle base crimes. His emergence and criminal activity , leaves Penguin incensed, and starts another mob war, with the villains in Gotham choosing sides. Poison Ivy, Firefly and Mr. Freeze side with The Penguin, while Butch Galzean, Tabitha and Barbara Kean side with The Riddler. What ensues is very akin to the mob war currently going on in the comic books titled, A War of Jokes and Riddles. Though, in that story, it’s The Riddler vs The Joker. The end result of this war, is that there is a schism between Tabitha and Barbara, after she kills Butch. The two start fighting with Barbara getting electrocuted. This whole season has seen Barbara, Tabitha and Butch in the middle of this fracture between Riddler and Penguin’s relationship. Between last season and this season, Tabitha is clearly positioned as a prototype Catwoman, while Selina Kyle eventually transitions into that. Meanwhile, Barbara Kean has gotten crazier each season, going over the edge, specifically this season. What’s interesting is that the crazier she gets, the more I enjoy the character. She’s this show’s prototype Harley Quinn and the producers have hinted she may go full Harley Quinn in the near future. It’ll be interesting to see how that turns out. If the show does go that route, good luck to Erin Richards trying to follow Margot Robbie. While Butch was shot and killed, as he’s being carted to the morgue, it is revealed that his birth name is Cyrus Gold, which suggests he is a comic book character, for whom death is not permanent. Here’s a hint: There’s a good chance he was born on a Monday! This was a shock, a true twist I was not expecting.
Speaking of the unexpected, this season, gives us an ultimate big bad for the season and the series in the first two season’s. As Bruce and Alfred are searching for his doppelganger, they discover that Hugo Strange isn’t the mastermind behind Indian Hill or Thomas and Martha Wayne’s murders. The group responsible for that, is a clandestine group known as the Court of Owls. The evil secret society has a council of members, comprised of Gotham City’s wealthiest and elite. They were the ones who hired Hugo Strange to raise the dead and imbue them with abilities. This was their attempt to find a means to eternal life. They put a hit on Thomas & Martha Wayne because they rebuked the Court, and threatened to expose them. They also had Jim Gordon’s uncle kill Jim’s father, for the same reasons. I like that this further ties Jim Gordon and Bruce Wayne together, not just their future’s but their past as well. When Bruce and Alfred take their findings to Jim, he decides to infiltrate the Court of Owls, becoming a member, while Bruce & Alfred confront the Court’s presence in Wayne Enterprises. While Gordon infiltrates the Court of Owls, Bruce Wayne is kidnapped, and taken to what is sure to be Nada Parbat, where he is trained by an elderly shaman of sorts known as the Sensei, who further trains Bruce in the ways of martial arts, as well as using mystical mental techniques to purge him of the mental block Bruce can’t get over, which is his parents death. It is revealed that Sensei is apparently training and brainwashing Bruce Wayne so that he will become a tool to usher in Gotham’s destruction and rehabilitation. To bring about said destruction, the Court of Owls have found a way to synthesize the Alice Tetch blood virus and disperse it in the air. This begins to drive the citizens of Gotham mad, as they destroy each other and the city. Gordon, Bullock and Lucius Fox race against time to find a cure and stop mass dispersal of the virus. This plot point reminded me of the fear toxin/microwave emitter plot point in Batman Begins a little. When Bruce Wayne returns to Gotham City, he is under the control of the Sensei, who has commanded Bruce to kill the Court of Owls. With some slicing and dicing, Bruce does so. Why would the Sensei order his employers dead? Well he did because, the person the Sensei is grooming Bruce Wayne for, is none other than Ra’s al Ghul. Ra’s al Ghul has designs on Bruce Wayne being his successor, and truly being a part of Gotham’s rebirth and revitalization. To have Bruce prove his allegiance, Ra’s orders him to stab Alfred with a sword .Bruce does, but the sight of Alfred’s dying body snaps Bruce out of his hypnosis. He immediately places Alfred into a Lazarus pit, before taking him to a hospital. In the hospital as Alfred comes to, Bruce expresses his regret for killing the Court of Owls. Alfred tries to reassure Bruce, that he wasn’t of sound mind and wasn’t in control of his faculties and couldn’t be blamed for his actions. He reminds Bruce, that he has been training to help people and make a difference in Gotham and should refocus his efforts on that. The season ends with a mother, father, and daughter walking home in an alleyway. They are held at gunpoint and robbed. Suddenly, a trench coat, ski mask wearing vigilante, swoops down, gives the mugger a beating, coming to the rescue of the family. The mysterious figure leaps and climbs his way atop a Gotham City skyscraper, before pulling off the ski mask, to reveal that he is none other than Bruce Wayne.
I honestly absolutely loved the inclusion of the Court of Owls this season. The group is relatively new to the comic book world, first debuting in 2011’s New 52. Their interpretation, their longevity and control and secrecy within Gotham City is spot on, to Scott Snyder’s original creation. I also enjoy that the show retroactively inserts the Court of Owls into events of the past two season’s of the series. It gives their stated presence throughout Gotham City’s history actual legitimacy. The city of Gotham being such a character in its own right makes so much more sense with the Court of Owls being involved. It was exactly the same way in the comic books featuring the Court of Owls. As for Ra’s al Ghul, his brief appearance on the show was more exposition and set up for next season, but his motivations were spot on and his look, was spot on with the comic books, complete with green cape/cloak. There’s even a Lazarus Pit! As much as I love Liam Neeson in the role, Christopher Nolan’s neutered version of the character left a lot to be desired for me. It’s too early to say whether this version will be better, but, he’s off to a great start. As for Bruce Wayne suiting up in a trench coat and ski mask as Proto-Batman, I say if it’s fine for Tom Welling’s Clark Kent, then it’s fine for Bruce Wayne. Also, we’ve seen a makeshift pre-Batman in both Batman Begins and Batman: Mask of the Phantasm. In my head canon, GOTHAM, is a prequel to Tim Burton’s Batman films, with the short lived Birds of Prey TV series, being a sequel to Batman Returns. Since we never saw Bruce Wayne’s early days, and full transition into Batman in Tim Burton’s film, I’m perfectly okay with the show experimenting with that going forward . No matter where your head canon places GOTHAM, for me it keeps getting better, and season 3 was not only its best, but it marked one of the best DC TV shows of the past season! Bring on Season 4!
Ho-wdy, Ho-rror Junkies! Look, up in the sky! It’s a bat! It’s a demon! No, it’s #TerrorTrailerTuesday!
This week, we’re paying tribute to ho-rrific superheroes who fight for truth, justice, and the A-Scare-ican Slay!
Y’know, fiends, movie monsters and comic book heroes have much more in common than we s-care to admit. Both are often depicted as social misfits, are usually created through some bizarre accident, wear a theatrical outfit with a cape and/or mask, and have fabulous powers. The main difference between superheroes and monsters is whether they use their abilities to save or to terrorize. Well, the creeps in today’s trailers like to do a little bit o’ both!
We’ve gathered up the best trailers featuring creatures who walk the line between costumed crusader and monstrous fiend! Grotesque avengers, slimy saviors, mystic masters, demonic defenders, and more lurk in the trailers below!
Ho-wdy, cartoon creeps!
It’s Splatterday Mourning again, and we’ve got the perfect cartoon caper to make you scream!
This week’s abominable animation is Monster Force, a 13-episode series by Universal Cartoon Studios and Canadian studio Lacewood Productions. The story is set in approx. 2020 and centers around a group of teenagers (with attitude!!!) fighting the Universal Monsters with futuristic weaponry. It’s a series that proves that Universal has been trying to do the “Dark Universe” thing long before Tom Cruise and The Mummy.
Both Monster Force and The Mummy resurrected the grand ol’ monsters, but with less scares and more radical action. The “Dark Universe” was clearly inspired by the success of the Marvel Cinematic Universe, and this series actually got Marv freakin’ Wolfman to write some episodes! I guess it makes some sense… there always was a strange connection between superheroes and monsters…. Considering that nobody ever talks about this one, it’s actually a lot of fun! It’s G.I. Joe fighting cl-Ass-Sick fiends with sci-fi weapons…and every bit as cool as it sounds! 🙂 It even manages to sprinkle in some references to the actual films. Heck, the score in today’s episode quotes the score of Bride of Frankenstein! Plus, check out these monsters: Groovy. Check it out below…Happy Splatterday, Kinky Kreeps! 🙂 xoxo
(Submitted by Prince Adam, aka Batman’s Bitch Boy… 😉 Thanks, Super Friend. Love ya lots! 🙂 xoxo)
“Batman finds himself tangling with a Jekyll-and-Hyde bat creature after it attacks a night watchman and the police wage a war on the Dark Knight. “
Batman: The Animated Series is a classic show and piece of Batman history. Every classic show needs to start somewhere, and for Batman : TAS, it’s On Leather Wings. I give a lot of credit to Bruce Timm and Paul Dini for having faith in their show to kick it off with a secondary villain like Kirk Langstrom aka Man-Bat. While more obscure, it’s actually a perfect fit. Man-Bat is the literal physical representation of a bat-man, and is the perfect antithesis to our costumed caped crusader. He’s also an allegory of the Jekyll and Hyde character, and when you watch the episode, you realize, so too is Batman in a way. Both Kirk Langstrom and Bruce Wayne embody the spirit of that story. Both men struggle with duality. Both maintain a good well adjusted persona, and both hide a dark persona that unleashes more of an animalistic violent nature. The difference being, Bruce Wayne is able to rein his in and uses that darkness as a force for good. The episode does a great job of briefly introducing the other core characters in the show, namely Detective Bullock and Commissioner Gordon. They establish that Gordon doesn’t see Batman as a menace, while Bullock definitely sees him as a dangerous vigilante. The show sets up Batman as a pre-existing figure in Gotham City, that the mayor wants the police to apprehend. The episode spends much of it’s time in showcasing Batman’s detective skill. He spends 3 quarters of the episode discovering and piecing together clues about Man-Bat. This was fantastic, because most non comics adaptations gloss over the detective aspect of the character. My only slight negative is that, the actual Batman Vs. Man Bat confrontation seemed a little too rushed for my liking. That and the fact that Batman was able to get the Man-Bat formula out of Doctor Langstrom off screen and rather quickly. But hey, given the episode is only 22 minutes, and did just about everything right, I can let it slide.
The animation is fantastic. I love the dark blue/black and grey colour scheme with yellow oval symbol for Batman’s costume. I always viewed it as the animators making a nod to the Adam West costume in a way, but with darker shades. The Bat-Computer was a definite nod to Batman 66, sounds and all. The Batmobile took it’s nods from Tim Burton’s iteration, but was it’s own beast, being longer and sleeker. That opening credits montage, is possibly the most beautiful thing, I’ve ever seen lead off any TV show. Batman cloaked in the shadows taking down bank robbers, the Batmobile roaring through the streets, and it all culminates with a bolt of lightening, illuminating Batman on the rooftop of a Gotham skyscraper! I’ve got chills just describing it! Speaking of Gotham City, I love the look of it. It’s the 1939 Worlds Fair meshed with early 1990’s modern day, and putting those two together, gives the city and the series a sense of timelessness This was definitely not the best episode of the series. This show is filled with episodes deserving of that crown. However, it set the tone for what was to come. It had me speechless when I first watched it 25 years ago, and I was just as excited when I watched it again the other day. Happy 25th Anniversary to Batman: The Animated Series. This series had as much influence, if not more on my Batman and superhero fandom. as Batman 66 and Tim Burton’s 1989 Batman film. This anniversary gave me just the excuse I was looking for to start reviewing this animated masterpiece. If you want to follow along, my reviews will go according to how episodes appear on my copies of the DVD!
In another Batman related note, Happy (belated) 66th Birthday to Michael Keaton, the man who took my love of Batman to new heights and I’ve loved the character ever since! Now that he’s 66 and now that Warner Brothers is creating an Elseworld’s division of DC Films, let’s bring things full circle and have Michael Keaton play the older Bruce Wayne in a Batman Beyond film shall we WB!
(Submitted by Mr. Prince Adam…Thank you, Super Friend! 🙂 xoxo)
“Set in the same universe as the hit CW series, Riverdale continues to reveal untold stories of the world’s most famous teenagers. When five students from different social cliques (Archie, Betty, Veronica, Jugghead, and Josie) end up in Saturday detention together — will they kill each other or come together against the forces of evil that brought them there?” (Archie Comics)
If you love the film The Breakfast Club, then you will love this book. This is the comic book’s homage to that classic 80’s coming of age film. Heck, the title of the film is the title of this issue and there are at least three characters in the book who reference the film. Archie even mentions having never seen the film. That’s the hardest part of this book to believe, that someone hasn’t seen The Breakfast Club. The fact that the film is spoken by name, as well as social media such as twitter, sets Riverdale as existing in the real world. I’m glad this is the case because these characters are your average teenagers, meaning there’s no need to create a alternate world for them to inhabit. Narratively, the issue is bookended by present day and time scenes, but the bulk of the issue is a flashback to the food fight, that landed them in detention. After Josie, of “Josie and the Pussycats” fame singles out relative new girl Veronica Lodge for starting the food fight, we get a look back at what everyone was doing during the food fight.
Archie tuned up his guitar and stood up on a table, ready to give an impromptu concert. However, his crippling fear of performing in front of people prevents him from going through with it. This is technically, the first mention of Archie’s desire to be a musician and sets up his rivalry with Josie. It also sets up the dichotomy of wanting to be a performer, yet being shy about performing in front of others. We see him battle and to a degree, overcome this fear in the back half of season 1 but here, it’s really fresh. Also, a fear of public speaking/performing is a fear I’ve had back in high school, so I absolutely feel for him. Veronica Lodge was helping her friend Kevin set up a Gay/Straight school alliance, to try and decipher all the gay students in the school, and get their numbers so Kevin could get a date. Sure, setting up a school group just to get a date seems a little overboard. Though I purposely wrote an essay filled with errors, as well as the backup one with suspected corrections I’d need to make, because I had really hot teacher that I wanted to spend more time with before class. Of course, nothing happened, but she was hot, so the extra time was so worth it! Anyway, the true take away from this scene, which continues on from issue #1, is that while Veronica has an attitude and a chip on her shoulder, she is intensely giving and fiercely protective of her friends. She admits that she got involved in the food fight, when a football jock insulted her and Kevin but she didn’t start the fight. As for Betty and Jugghead, Betty was doing research for an article she is writing for the school paper. One of the books she is reading is The Story of O, an erotic novel. When Jugghead discovers this, he playfully chastises Betty. However, when Cheryl grabs the book and starts referring to Betty and her sister as freaks and outcasts. The reference to Betty’s sister, is the first mention of Betty’s sister and Cheryl’s brother having dated and that it ending badly. As Cheryl berates her, we can see darkness and anger building up and erupting in Betty, as she throws a piece of pie at the back of Cheryl. Betty’s anger and darkness gets heightened in Season 1 but you see it in it’s infancy here. Without spoiling anything, I hope Betty’s emotional state is explored more in this comic and in Season 2. I like that the instigator of the food fight was Betty, the goody two shoes you’d lest expect. The book ends with detention ending and the gang sans Josie, sharing a meal at Pop’s Dinner.
Joe Eisma is back on art but this time is joined by fellow artist Thomas Pitilli. Their artwork looks so similar, that when one ends and the other begins, it is hardly noticeable. Each artist has certain characters who they excel at drawing though. Joe Eisma’s strength is Archie, Josie, and Jugghead, while Thomas Pitilli draws a great Veronica, Cheryl and Betty. The opening image of the gang sitting in detention continues the theme of homage for The Breakfast Club. The position of the characters, and the location being the school library, is an exact replica of the film. If the cover didn’t say Riverdale, you might think this was a comic book adaptation of the film. The image of Archie about to perform his impromptu cafeteria concert is great. The detail is so strong, that you can not only see, but almost feel his crippling anxiety. The scene where Betty snaps at Cheryl before she starts the food fight is very evocative on several levels. First, you can see Betty’s face scrunching and teeth gritting in anger. Adding to it, is the temporary black and purple color scheme in this panel almost makes it seem like we’ve gone into Betty’s mind and are seeing her anger actual emerge from the recesses of her mind. Kudos to colorist Andre Szymanowicz. Without him, this effect doesn’t happen. My favourite page is definitely the food fight. It’s so messy and chaotic. There are later panels that isolate the food fight, from our main characters perspective but the main splash page is so chaotic. Also, somehow artist Thomas Pitilli has made Cheryl Blossom even more bitchy looking. In his hands, her natural resting look is “Bitchy Face.”
The second issue doesn’t move the story along, instead being more of a character study of sorts. Last issue, I said it worked as both a prequel and a continuation of the TV series. This issue is clearly more of a prequel to the story told in season 1. It’ll be interesting to see if the series tries to juggle telling prequel stories, or if it toggles between prequels and concurrent stories. If you’re a fan or the show or the characters from the comic books, you’ll like this book. Even if you don’t love Archie or Riverdale, you’ll still want to read this if you love The Breakfast Club. And who doesn’t!?